Painting and Illustration
ANDERSON‚ Sophie. 11617
Autograph Letter Signed‚ to Mrs. Broad‚ trying to make arrangements to meet‚ but ”Some Capri friends have just come to Falmouth and we expect another to come to us‚ date not fixed as it depends on an invalid brother.” 2 pp. 6 x 4 inches‚ fine. Wood Lane Cottage‚ 12 September 1894. Uncommon. Sophie Gengembre Anderson (1823-1903) was a French-born British artist who specialised in genre painting of children and women‚ typically in rural settings. Her work is loosely associated with the Pre-Raphaelite movement. In 1871‚ she and her husband moved to Capri for health reasons‚ but Sophie continued to send her work back to London for exhibitions. They returned permanently to England in 1894‚ settling in Falmouth.
Price : £65.00
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Autograph Letter Signed‚ to Mrs. Broad‚ trying to make arrangements to meet‚ but ”Some Capri friends have just come to Falmouth and we expect another to come to us‚ date not fixed as it depends on an invalid brother.” 2 pp. 6 x 4 inches‚ fine. Wood Lane Cottage‚ 12 September 1894. Uncommon. Sophie Gengembre Anderson (1823-1903) was a French-born British artist who specialised in genre painting of children and women‚ typically in rural settings. Her work is loosely associated with the Pre-Raphaelite movement. In 1871‚ she and her husband moved to Capri for health reasons‚ but Sophie continued to send her work back to London for exhibitions. They returned permanently to England in 1894‚ settling in Falmouth. Price : £65.00
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ANSDELL‚ Richard. 9154
Autograph Letter Signed‚ sending tickets for the Artists Benevolent Fund Dinner. 1 page 7 x 4½ inches‚ in good condition. St Albans Road‚ Kensington‚ 12 April 1870. Richard Ansdell (1815-85)‚ animal painter.
Price : £30.00
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Autograph Letter Signed‚ sending tickets for the Artists Benevolent Fund Dinner. 1 page 7 x 4½ inches‚ in good condition. St Albans Road‚ Kensington‚ 12 April 1870. Richard Ansdell (1815-85)‚ animal painter. Price : £30.00
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ARNALD‚ George. 11398
Autograph Letter Signed‚ addressed ‘Gentlemen’‚ discussing “the 3rd number of the River Meuse” and the sale of his prints and proofs. 1 page‚ with a few lines overleaf‚ 7½ x 6 inches‚ tipped on to an album page with the title page of Picturesque Scenery of the River Meuse “from the original drawings‚ made on the spot‚ by G.Arnald‚ A.R.A.” Pentonville‚ 24 October 1822. George Arnald ARA (1766-1841) was a British painter who specialised in landscapes‚ including topographical views to illustrated county histories. He is best known for his celebrated painting depicting the Battle of the Nile.
Price : £75.00
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Autograph Letter Signed‚ addressed ‘Gentlemen’‚ discussing “the 3rd number of the River Meuse” and the sale of his prints and proofs. 1 page‚ with a few lines overleaf‚ 7½ x 6 inches‚ tipped on to an album page with the title page of Picturesque Scenery of the River Meuse “from the original drawings‚ made on the spot‚ by G.Arnald‚ A.R.A.” Pentonville‚ 24 October 1822. George Arnald ARA (1766-1841) was a British painter who specialised in landscapes‚ including topographical views to illustrated county histories. He is best known for his celebrated painting depicting the Battle of the Nile. Price : £75.00
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AYRTON‚ Michael. 6335
A series of 5 Autograph Letters Signed [4 in full‚ 1 with initials]‚ and 2 Autograph Postcards Signed [with initials]‚ to Peter Russell‚ ordering books and drawings‚ attempting to broker a deal between Wyndham Lewis’ widow and Russell over some Wyndham Lewis drawings‚ correcting some catalogue errors‚ etc. 10 pp.‚ various sizes‚ all in good condition. Bradfields‚ Toppesfield‚ Essex‚ December 1957 to March 1958. Michael Ayrton (1921–1975)‚ artist and writer. “There is a hitch. Mrs Lewis thinks she won’t accept after all as she feels that she will have no satisfactory pressure to bring on you‚ should you default. ....She is being so tiresome at the moment about attacks on W.L. in the T.L.S. and the Statesman that I am getting pretty sick of trying to help her.”
Price : £350.00
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A series of 5 Autograph Letters Signed [4 in full‚ 1 with initials]‚ and 2 Autograph Postcards Signed [with initials]‚ to Peter Russell‚ ordering books and drawings‚ attempting to broker a deal between Wyndham Lewis’ widow and Russell over some Wyndham Lewis drawings‚ correcting some catalogue errors‚ etc. 10 pp.‚ various sizes‚ all in good condition. Bradfields‚ Toppesfield‚ Essex‚ December 1957 to March 1958. Michael Ayrton (1921–1975)‚ artist and writer. “There is a hitch. Mrs Lewis thinks she won’t accept after all as she feels that she will have no satisfactory pressure to bring on you‚ should you default. ....She is being so tiresome at the moment about attacks on W.L. in the T.L.S. and the Statesman that I am getting pretty sick of trying to help her.” Price : £350.00
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BARNARD‚ George. 11124
Autograph Letter Signed‚ addressed ‘Dear Sir’ [E.W.Cooke‚ marine artist]‚ mentioning his recent work on Switzerland‚ wanting “to ask your opinion of a new work I have now in hand on the passes of the Alps”. 2 pp. 7 x 4½ inches‚ in good condition. Castle End‚ Kenilworth‚ 9 September 1850. George Barnard‚ artist‚ brother-in-law of Michael Faraday.
Price : £35.00
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Autograph Letter Signed‚ addressed ‘Dear Sir’ [E.W.Cooke‚ marine artist]‚ mentioning his recent work on Switzerland‚ wanting “to ask your opinion of a new work I have now in hand on the passes of the Alps”. 2 pp. 7 x 4½ inches‚ in good condition. Castle End‚ Kenilworth‚ 9 September 1850. George Barnard‚ artist‚ brother-in-law of Michael Faraday. Price : £35.00
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BATTAM‚ Thomas. 6339
Autograph Letter Signed‚ to Mrs.Jameson‚ thanking her for her articles on the “Schools of Design”‚ and sending as a gift “a small Statuette of a Sea Nymph in Porcelain Statuary (the material which I originated & which has led to so many imitations”. 2 pp. 7 x 4½ inches‚ in good condition. Trent Vale Cottage‚ Stoke upon Trent‚ 22 January 1850. Thomas Battam (1810-1864) was a British painter of miniatures. He was born in London. He produced copies in enamels‚ several of which were exhibited at the Royal Academy (1833 - 1840). Battam was later employed as a painter at the Copeland porcelain factory‚ and was the founder‚ and president‚ of the Crystal Palace Art Union.
Price : £75.00
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Autograph Letter Signed‚ to Mrs.Jameson‚ thanking her for her articles on the “Schools of Design”‚ and sending as a gift “a small Statuette of a Sea Nymph in Porcelain Statuary (the material which I originated & which has led to so many imitations”. 2 pp. 7 x 4½ inches‚ in good condition. Trent Vale Cottage‚ Stoke upon Trent‚ 22 January 1850. Thomas Battam (1810-1864) was a British painter of miniatures. He was born in London. He produced copies in enamels‚ several of which were exhibited at the Royal Academy (1833 - 1840). Battam was later employed as a painter at the Copeland porcelain factory‚ and was the founder‚ and president‚ of the Crystal Palace Art Union. Price : £75.00
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BEECHEY‚ Sir William. 11438
An interesting Autograph Letter Signed‚ addressed to Mr. Davis (”by favor of Mr Landseer”)‚ publisher‚ discussing his presentation of “the first number” to the Academy‚ asking for the price of Mr. Barry’s works‚ and mentioning “the last proof Impression of my dear friend Mr. Paul Sandby by Mr. Henry Landseer‚ which I highly approve of‚ it is extremely like my Picture‚ and very highly and masterly finished.” 2½ pages 9 x 7 inches‚ address panel‚ in good condtion‚ remains of guard. 28 June 1809. Sir William Beechey (1753-1839)‚ painter. He was appointed portrait painter to Queen Charlotte‚ and became one of the most fashionable portrait painters in Georgian England.
Price : £120.00
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An interesting Autograph Letter Signed‚ addressed to Mr. Davis (”by favor of Mr Landseer”)‚ publisher‚ discussing his presentation of “the first number” to the Academy‚ asking for the price of Mr. Barry’s works‚ and mentioning “the last proof Impression of my dear friend Mr. Paul Sandby by Mr. Henry Landseer‚ which I highly approve of‚ it is extremely like my Picture‚ and very highly and masterly finished.” 2½ pages 9 x 7 inches‚ address panel‚ in good condtion‚ remains of guard. 28 June 1809. Sir William Beechey (1753-1839)‚ painter. He was appointed portrait painter to Queen Charlotte‚ and became one of the most fashionable portrait painters in Georgian England. Price : £120.00
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BELL Jacob. 10456
Autograph Letter Signed to the Count D’Orsay offering to take him and the Countess of Blessington to “the public supper of the Children at Christ’s Hospital” (during Lent) then describing and illustrating the event. 4 pp. 7 x 4½ inches in fine condition incorporating four ink sketches of the boys at the Supper. 15 Langham Place 14 March 1847. Jacob Bell (1810-1859) founder of the Pharmaceutical Society and patron of the arts. He came from a Quaker family and once went dressed as a woman to Meeting for Worship as a challenge to the practice of male and female Friends having to sit on different sides of the Meeting room. “Scene 1st. One of the boys ascends the pulpit & reads prayers gospel & grace. Scene 2nd. The boys sing a psalm and an anthem. Scene 3rd at the word of command they attack the bread & butter - several hundred munching at once. Scene 4th they walk in procession round the great Hall carrying the breadbaskets empty plates &c & as they pass the Treasurer they bow in a manner quite sui generis. Lastly they go to their dormitories.”
Price : £200.00
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Autograph Letter Signed to the Count D’Orsay offering to take him and the Countess of Blessington to “the public supper of the Children at Christ’s Hospital” (during Lent) then describing and illustrating the event. 4 pp. 7 x 4½ inches in fine condition incorporating four ink sketches of the boys at the Supper. 15 Langham Place 14 March 1847. Jacob Bell (1810-1859) founder of the Pharmaceutical Society and patron of the arts. He came from a Quaker family and once went dressed as a woman to Meeting for Worship as a challenge to the practice of male and female Friends having to sit on different sides of the Meeting room. “Scene 1st. One of the boys ascends the pulpit & reads prayers gospel & grace. Scene 2nd. The boys sing a psalm and an anthem. Scene 3rd at the word of command they attack the bread & butter - several hundred munching at once. Scene 4th they walk in procession round the great Hall carrying the breadbaskets empty plates &c & as they pass the Treasurer they bow in a manner quite sui generis. Lastly they go to their dormitories.” Price : £200.00
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BELL‚ John Zephaniah. 6590
An interesting Autograph Letter Signed‚ to Nathaniel George Philips in Liverpool‚ musing on an accident which had befallen the pictures he had bought in Italy‚ discusing paintings and commissions. 3 pp. 9 x 7 inches‚ in good condition‚ with the address panel‚ small tear at seal opening‚ tipped on to an old album page. Irongate Wharf‚ London‚ 24 November 1826. John Zephaniah Bell (1794 - 1883)‚ artist. Born in Dundee‚ Bell studied in London‚ Paris and Rome‚ where he developed an interest in Italian Fresco painting. In 1833‚ Bell painted ceiling frescos in the Edinburgh mansion Muirhouse‚ one of which survives. These impressed Sir David Wilkie (1785 - 1841)‚ who described Bell as the 'reviver of Fresco painting in Scotland.' Bell taught briefly in Manchester and settled in London‚ while continuing to travel. “Perhaps I shall be able to go round by Liverpool and see your painting room and Lord St.Vincent’s letter‚ how he managed to decline a picture he had ordered - and see your picture of Marino how you had managed the figures - did your uncle order it? ...I am painting a group of two young ladies whom I love very much it is no commission.”
Price : £75.00
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An interesting Autograph Letter Signed‚ to Nathaniel George Philips in Liverpool‚ musing on an accident which had befallen the pictures he had bought in Italy‚ discusing paintings and commissions. 3 pp. 9 x 7 inches‚ in good condition‚ with the address panel‚ small tear at seal opening‚ tipped on to an old album page. Irongate Wharf‚ London‚ 24 November 1826. John Zephaniah Bell (1794 - 1883)‚ artist. Born in Dundee‚ Bell studied in London‚ Paris and Rome‚ where he developed an interest in Italian Fresco painting. In 1833‚ Bell painted ceiling frescos in the Edinburgh mansion Muirhouse‚ one of which survives. These impressed Sir David Wilkie (1785 - 1841)‚ who described Bell as the 'reviver of Fresco painting in Scotland.' Bell taught briefly in Manchester and settled in London‚ while continuing to travel. “Perhaps I shall be able to go round by Liverpool and see your painting room and Lord St.Vincent’s letter‚ how he managed to decline a picture he had ordered - and see your picture of Marino how you had managed the figures - did your uncle order it? ...I am painting a group of two young ladies whom I love very much it is no commission.” Price : £75.00
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BENTLEY‚ Nicolas. 3044
A most attractive Autograph Letter Signed‚ to ‘Dear Links’‚ discussing his own changing calligraphy‚ and sending ‘this modest specimen of what can be done by blood‚ tears‚ toil & sweat’. 18 lines on 1 page 9 x 6.5 inches‚ in good condition. 44 Queens Gate Gardens‚ SW 7. 17 December 1948. Nicolas Bentley‚ book illustrator and author. ‘If there are any hints & tips I can give you‚ because it must be admitted that nine-tenths of good calligraphy consists of tricks‚ do ask me. I am all for everyone improving their hands.’
Price : £75.00
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A most attractive Autograph Letter Signed‚ to ‘Dear Links’‚ discussing his own changing calligraphy‚ and sending ‘this modest specimen of what can be done by blood‚ tears‚ toil & sweat’. 18 lines on 1 page 9 x 6.5 inches‚ in good condition. 44 Queens Gate Gardens‚ SW 7. 17 December 1948. Nicolas Bentley‚ book illustrator and author. ‘If there are any hints & tips I can give you‚ because it must be admitted that nine-tenths of good calligraphy consists of tricks‚ do ask me. I am all for everyone improving their hands.’ Price : £75.00
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BONE‚ Robert Trewick 11614
Autograph Letter Signed‚ to Lynch Cotton‚ Newgate Street‚ giving the date of his father’s election as an Academician. Together with an autograph note signed ‘H.P.Bone’‚ listing four pictures. 2 pp. with one address panel. In good condition. 15 Berners Street‚ 29 April 1831. Robert Trewick Bone and Henry Pierce Bone‚ enamellists‚ sons of Henry Bone (1755–1834)‚ Cornish enamel painter.
Price : £45.00
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Autograph Letter Signed‚ to Lynch Cotton‚ Newgate Street‚ giving the date of his father’s election as an Academician. Together with an autograph note signed ‘H.P.Bone’‚ listing four pictures. 2 pp. with one address panel. In good condition. 15 Berners Street‚ 29 April 1831. Robert Trewick Bone and Henry Pierce Bone‚ enamellists‚ sons of Henry Bone (1755–1834)‚ Cornish enamel painter. Price : £45.00
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BRAMLEY‚ Frank. 11615
Autograph Letter Signed‚ to Miss Courtney‚ explaining that he is unable to accept her kind invitation‚ adding that “It was curious coincident my brother meeting your sister on the voyage from Sydney to Wellington‚ the world seems very small at times.” 1½ pages‚ 7 x 4½ inches‚ black border‚ in good condition. Newlyn‚ 29 August 1888. Uncommon. Frank Bramley (1857-1915)‚ post-impressionist genre painter of the Newlyn School. “Please excuse writing so late‚ I only arrived from St. Ives late last evening.”
Price : £65.00
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Autograph Letter Signed‚ to Miss Courtney‚ explaining that he is unable to accept her kind invitation‚ adding that “It was curious coincident my brother meeting your sister on the voyage from Sydney to Wellington‚ the world seems very small at times.” 1½ pages‚ 7 x 4½ inches‚ black border‚ in good condition. Newlyn‚ 29 August 1888. Uncommon. Frank Bramley (1857-1915)‚ post-impressionist genre painter of the Newlyn School. “Please excuse writing so late‚ I only arrived from St. Ives late last evening.” Price : £65.00
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BRETON‚ Jules. 3742
Autograph Letter Signed ‘J.Breton’‚ to Monsieur Skill‚ during the Franco-German War‚ describing the local advance and retreat of troops‚ and the difficulties of communication at this time‚ incorporating four verses about the war. In French. 3 pp. 8 x 5 inches‚ in good condition‚ light creasing and minor defects only. With a separate little note signed by the recipient. [Courrières] 30 October 1870. Jules Breton (1827-1906)‚ French landscape painter. Breton drew his inspiration from the area around Courrières in the Artois region of Northern France. His academic style of painting appealed greatly to the establishment of the Empire and Second Republic‚ and he received a succession of awards and honours.
Price : £120.00
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Autograph Letter Signed ‘J.Breton’‚ to Monsieur Skill‚ during the Franco-German War‚ describing the local advance and retreat of troops‚ and the difficulties of communication at this time‚ incorporating four verses about the war. In French. 3 pp. 8 x 5 inches‚ in good condition‚ light creasing and minor defects only. With a separate little note signed by the recipient. [Courrières] 30 October 1870. Jules Breton (1827-1906)‚ French landscape painter. Breton drew his inspiration from the area around Courrières in the Artois region of Northern France. His academic style of painting appealed greatly to the establishment of the Empire and Second Republic‚ and he received a succession of awards and honours. Price : £120.00
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BROCKEDON‚ William. 11216
Autograph Letter Signed ‘W.Brockedon’‚ inviting his correspondent to join “a house dinner at the Athenaeum”. 1½ pages 29 Devonshire St.‚ 13 July 1838. “Captain Back and I have enlisted a party of 12 including Theodore Hook‚ Macready‚ Stanfield[?]‚ Boz‚ Talfourd &c.”William Brockedon (1787-1854)‚ painter‚ author‚ and inventor. His works included Illustrations of the Passes of the Alps; Italy‚ Classical‚ Historical and Picturesque; some of the letterpress for David Roberts’s Views in the Holy Land‚ Syria‚ &c. His inventions included various applications of vulcanised india-rubber. In 1830 he took an active part in the formation of the Royal Geographical Society.
Price : £75.00
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Autograph Letter Signed ‘W.Brockedon’‚ inviting his correspondent to join “a house dinner at the Athenaeum”. 1½ pages 29 Devonshire St.‚ 13 July 1838. “Captain Back and I have enlisted a party of 12 including Theodore Hook‚ Macready‚ Stanfield[?]‚ Boz‚ Talfourd &c.”William Brockedon (1787-1854)‚ painter‚ author‚ and inventor. His works included Illustrations of the Passes of the Alps; Italy‚ Classical‚ Historical and Picturesque; some of the letterpress for David Roberts’s Views in the Holy Land‚ Syria‚ &c. His inventions included various applications of vulcanised india-rubber. In 1830 he took an active part in the formation of the Royal Geographical Society. Price : £75.00
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BROWNE‚ Gordon. 11390
A good Autograph Letter Signed‚ providing an entertaining account of his early career. 5 pp. 8 x 5 inches‚ in good condition‚ some light toning to final page. 14 St John’s Wood Road‚ December 1897. Gordon Frederick Browne (1858-1932)‚ artist and children's book illustrator. He was born in Banstead‚ the younger son of notable book illustrator Hablot Knight Browne ("Phiz"). From the 1880s‚ Browne was one of Britain's most prolific illustrators. “...After the usual time at what may be called ‘Dr Whackem’s school for the sons of gentlemen’‚ in fact a private school‚ I had a rather short & rather jerky kind of art school training‚ partly at S.Kensington which did not come up to my then lofty ideal and longer at Heatherleys. Then worked for a short time under Mr Cooper the engraver with the double branched purpose of earning something & learning how to draw on the wood‚ a most useless piece of knowledge now a days...”
Price : £150.00
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A good Autograph Letter Signed‚ providing an entertaining account of his early career. 5 pp. 8 x 5 inches‚ in good condition‚ some light toning to final page. 14 St John’s Wood Road‚ December 1897. Gordon Frederick Browne (1858-1932)‚ artist and children's book illustrator. He was born in Banstead‚ the younger son of notable book illustrator Hablot Knight Browne ("Phiz"). From the 1880s‚ Browne was one of Britain's most prolific illustrators. “...After the usual time at what may be called ‘Dr Whackem’s school for the sons of gentlemen’‚ in fact a private school‚ I had a rather short & rather jerky kind of art school training‚ partly at S.Kensington which did not come up to my then lofty ideal and longer at Heatherleys. Then worked for a short time under Mr Cooper the engraver with the double branched purpose of earning something & learning how to draw on the wood‚ a most useless piece of knowledge now a days...” Price : £150.00
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CALDERON‚ Philip Hermogenes. 2156
Autograph Letter Signed‚ to ‘My dear Lewis’‚ saying that he has ‘hitherto resisted the blandishments of Wallis the dealer‚ who wants me to give him the refusal of St.Bartholomew - I had rather not’‚ and wishing that the picture was on the walls of his friend Lewis. 2 pp. 7 x 4.5 inches. Abbey Villa‚ St.John’s Wood‚ 16 February 1863. P.H.Calderon (1833-1898)‚ painter‚ mentions in this letter one of his most famous pictures‚ The British Embassy in Paris on the Day of the Massacre of St.Bartholomew (1863). ‘I wish to Heaven my picture could hand in your rooms‚ where artists most do congregate. The price of it is six hundred guineas and it represents the best part of a years work. I leave you to judge how many plovers eggs and baskets of truffles‚ I’ll be able to afford out of it.’
Price : £75.00
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Autograph Letter Signed‚ to ‘My dear Lewis’‚ saying that he has ‘hitherto resisted the blandishments of Wallis the dealer‚ who wants me to give him the refusal of St.Bartholomew - I had rather not’‚ and wishing that the picture was on the walls of his friend Lewis. 2 pp. 7 x 4.5 inches. Abbey Villa‚ St.John’s Wood‚ 16 February 1863. P.H.Calderon (1833-1898)‚ painter‚ mentions in this letter one of his most famous pictures‚ The British Embassy in Paris on the Day of the Massacre of St.Bartholomew (1863). ‘I wish to Heaven my picture could hand in your rooms‚ where artists most do congregate. The price of it is six hundred guineas and it represents the best part of a years work. I leave you to judge how many plovers eggs and baskets of truffles‚ I’ll be able to afford out of it.’ Price : £75.00
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CHALMERS‚ George Paul. 11281
Autograph Letter Signed‚ to E.Homan‚ thanking him for “the Photo Copies...of great works‚ the study of which will no doubt be highly beneficial to me”. 3 pp. 7 x 4½ inches‚ fine. Edinburgh‚ 1 October 1876. Uncommon. George Paul Chalmers (1833–1878)‚Scottish painter‚ turned to landscapes later in his career‚ instead of the portraits which formed his earlier work. The best of these are The End of the Harvest (1873)‚ Running Water (1875)‚ and The Legend (in the National Gallery‚ Edinburgh). He became an associate (1867) and a full member (1871) of the Royal Scottish Academy. His life was cut tragically short in 1878 when he was assaulted and died as a result of his injuries.
Price : £65.00
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Autograph Letter Signed‚ to E.Homan‚ thanking him for “the Photo Copies...of great works‚ the study of which will no doubt be highly beneficial to me”. 3 pp. 7 x 4½ inches‚ fine. Edinburgh‚ 1 October 1876. Uncommon. George Paul Chalmers (1833–1878)‚Scottish painter‚ turned to landscapes later in his career‚ instead of the portraits which formed his earlier work. The best of these are The End of the Harvest (1873)‚ Running Water (1875)‚ and The Legend (in the National Gallery‚ Edinburgh). He became an associate (1867) and a full member (1871) of the Royal Scottish Academy. His life was cut tragically short in 1878 when he was assaulted and died as a result of his injuries. Price : £65.00
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CHAMBERS‚ George. 8578
Autograph Letter Signed ‘G.Chambers’‚ to S.Walters‚ Liverpool‚ about Walters’ picture‚ and his own ill-health which has prevented him painting. 1 page 9 x 7 inches‚ clean tears along folds‚ with the address leaf‚ complete ‘GC’ seal in red wax. 6 Park Village West‚ Regents Park‚ 17 October 1834. George Chambers (1803-1840)‚ marine painter.
Price : £75.00
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Autograph Letter Signed ‘G.Chambers’‚ to S.Walters‚ Liverpool‚ about Walters’ picture‚ and his own ill-health which has prevented him painting. 1 page 9 x 7 inches‚ clean tears along folds‚ with the address leaf‚ complete ‘GC’ seal in red wax. 6 Park Village West‚ Regents Park‚ 17 October 1834. George Chambers (1803-1840)‚ marine painter. Price : £75.00
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CHANDLEE‚ William H. 11182
Illustrated Autograph Letter Signed‚ sent to Harry Furniss‚ the English illustrator‚ “not for publication but as a reminder of your promise to send me a photo for my autograph collection of portraits”. 1 page 8 x 6 inches‚ incorporating a fine self caricature by Chandlee. The Evening Star‚ Washington D.C.‚ 29 January 1887. William H.Chandlee‚ American illustrator.
Price : £150.00
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Illustrated Autograph Letter Signed‚ sent to Harry Furniss‚ the English illustrator‚ “not for publication but as a reminder of your promise to send me a photo for my autograph collection of portraits”. 1 page 8 x 6 inches‚ incorporating a fine self caricature by Chandlee. The Evening Star‚ Washington D.C.‚ 29 January 1887. William H.Chandlee‚ American illustrator. Price : £150.00
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CLAXTON‚ Marshall. 11399
Autograph Letter Signed‚ describing the pictures he is submitting to the Exhibition‚ and discussing the “silver rims”. 2 pp. 9 x 7 inches‚ a few minor defects only. 2 Upper Southwick Street‚ Cambridge Terrace‚ Edgeware Road‚ 1840. Marshall Claxton (1811-1881)‚ English painter. In 1850 Claxton went to Sydney‚ Australia‚ with a large collection of pictures‚ but had little success in selling them. While in Sydney he painted a large picture‚ "Suffer little children to come unto me"‚ a commission from the Baroness Burdett-Coutts. This was described in Household Words as 'the first important picture' painted in Australia. Claxton's "General View of the Harbour and City of Sydney" is in the Royal collection in England‚ and there are two pictures by him in the Dickinson collection in the Art Gallery of New South Wales‚ Sydney. His portraits of Bishop William Broughton and Dean Cowper are at St. Paul's College‚ University of Sydney‚ and that of the Rev. Robert Forrest in The King's School‚ Parramatta. He was also known for his depictions of Wesleyan and Methodist subjects‚ made popular as prints. “Here they are‚ a gross of green spectacles‚ with silver rims and shagreen cases. A fig for the silver rims‚ cried my wife in a passion! A Murrain take such triumphery. I dare swear that won’t sell for above half the money at the rate of broken silver five shillings an ounce. You need be under no uneasiness‚ cried I‚ about selling the rims‚ for they are not worth sixpence‚ for I perceive they are only copper varnish’d over‚ they are no more silver than your saucepan! Vide Vicar of Wakefield.”
Price : £75.00
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Autograph Letter Signed‚ describing the pictures he is submitting to the Exhibition‚ and discussing the “silver rims”. 2 pp. 9 x 7 inches‚ a few minor defects only. 2 Upper Southwick Street‚ Cambridge Terrace‚ Edgeware Road‚ 1840. Marshall Claxton (1811-1881)‚ English painter. In 1850 Claxton went to Sydney‚ Australia‚ with a large collection of pictures‚ but had little success in selling them. While in Sydney he painted a large picture‚ "Suffer little children to come unto me"‚ a commission from the Baroness Burdett-Coutts. This was described in Household Words as 'the first important picture' painted in Australia. Claxton's "General View of the Harbour and City of Sydney" is in the Royal collection in England‚ and there are two pictures by him in the Dickinson collection in the Art Gallery of New South Wales‚ Sydney. His portraits of Bishop William Broughton and Dean Cowper are at St. Paul's College‚ University of Sydney‚ and that of the Rev. Robert Forrest in The King's School‚ Parramatta. He was also known for his depictions of Wesleyan and Methodist subjects‚ made popular as prints. “Here they are‚ a gross of green spectacles‚ with silver rims and shagreen cases. A fig for the silver rims‚ cried my wife in a passion! A Murrain take such triumphery. I dare swear that won’t sell for above half the money at the rate of broken silver five shillings an ounce. You need be under no uneasiness‚ cried I‚ about selling the rims‚ for they are not worth sixpence‚ for I perceive they are only copper varnish’d over‚ they are no more silver than your saucepan! Vide Vicar of Wakefield.” Price : £75.00
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CLINT‚ George. 11618
Autograph Letter Signed‚ to Mr.Kenneth‚ corner of Boar Street‚ Covent Garden‚ sending “fifteen Proofs of Kean‚ before the Letters”. 1 page 7½ x 4½ inches‚ central filing holes‚ surface soiling. 83 Gower Street‚ 24 June 1833. “I believe the writing will be done to-day - I think I shall not take off more than 45 Proofs - we shall have all done this week.” George Clint (1770-1854)‚ portrait painter and engraver.
Price : £45.00
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Autograph Letter Signed‚ to Mr.Kenneth‚ corner of Boar Street‚ Covent Garden‚ sending “fifteen Proofs of Kean‚ before the Letters”. 1 page 7½ x 4½ inches‚ central filing holes‚ surface soiling. 83 Gower Street‚ 24 June 1833. “I believe the writing will be done to-day - I think I shall not take off more than 45 Proofs - we shall have all done this week.” George Clint (1770-1854)‚ portrait painter and engraver. Price : £45.00
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COOPER‚ Abraham. 4546
Autograph Letter Signed ‘A.Cooper’‚ asking his correspondent to join the list of contributors to The Gem‚ for which “I have painted a Dying Charger[?] which I flatter myself you would illustrate admirably”. 1 page 8 x 5 inches‚ laid down on part of an old album page‚ minor marginal defects only. Royal Academy‚ 29 April 1829. Abraham Cooper (1787-1868)‚ battle and animal painter.
Price : £75.00
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Autograph Letter Signed ‘A.Cooper’‚ asking his correspondent to join the list of contributors to The Gem‚ for which “I have painted a Dying Charger[?] which I flatter myself you would illustrate admirably”. 1 page 8 x 5 inches‚ laid down on part of an old album page‚ minor marginal defects only. Royal Academy‚ 29 April 1829. Abraham Cooper (1787-1868)‚ battle and animal painter. Price : £75.00
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COOPER‚ Abraham. 4547
Autograph Note Signed ‘A.Cooper’‚ sending “the 1st Vol of the N.S.M. [New Sporting Magazine]”. 1 page 4½ x 7 inches‚ one small corner tear where mounted. Undated. Abraham Cooper (1787-1868)‚ battle and animal painter.
Price : £45.00
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Autograph Note Signed ‘A.Cooper’‚ sending “the 1st Vol of the N.S.M. [New Sporting Magazine]”. 1 page 4½ x 7 inches‚ one small corner tear where mounted. Undated. Abraham Cooper (1787-1868)‚ battle and animal painter. Price : £45.00
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COOPER‚ Robert. 5702
Autograph Letter Signed ‘Robt. Cooper’‚ to Mr.Harding at Lackington & Co.‚ Finsbury Square‚ explaining that he had to go to Uxbridge “to make a Drawing from a large Picture”. 1 page 8 x 7 inches‚ with the integral address leaf‚ in good condition. Edward Street‚ Hampstead Road‚ 12 June 1818. Robert Cooper (fl.1800-1836)‚ printmaker‚ an elusive artist about whom little is known. He was chiefly employed in engraving portraits‚ as in Lodge’s Portraits of Illustrious Personages. Cooper was a prolific engraver of book plates and vignettes. “...I am getting on with the Portrait of the Marquis of Montrose‚ but am fearful I shall not be able to completely finish it under a months time; as you did not express a wish to have the work hurried I hope the above time will not be attended with any inconvenience with respect to the Publication...”
Price : £100.00
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Autograph Letter Signed ‘Robt. Cooper’‚ to Mr.Harding at Lackington & Co.‚ Finsbury Square‚ explaining that he had to go to Uxbridge “to make a Drawing from a large Picture”. 1 page 8 x 7 inches‚ with the integral address leaf‚ in good condition. Edward Street‚ Hampstead Road‚ 12 June 1818. Robert Cooper (fl.1800-1836)‚ printmaker‚ an elusive artist about whom little is known. He was chiefly employed in engraving portraits‚ as in Lodge’s Portraits of Illustrious Personages. Cooper was a prolific engraver of book plates and vignettes. “...I am getting on with the Portrait of the Marquis of Montrose‚ but am fearful I shall not be able to completely finish it under a months time; as you did not express a wish to have the work hurried I hope the above time will not be attended with any inconvenience with respect to the Publication...” Price : £100.00
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COPE‚ Charles West. 9612
Autograph Letter Signed‚ to H.W.Phillips‚ about the dinner for the Artists General Benevolent Association‚ and sending a donation. A good one page example‚ 5 x 3½ inches. 19 Hyde Park Gate South‚ Kensington Gore‚ 29 March 1862. Charles West Cope (1811-1890)‚ historical painter.
Price : £30.00
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Autograph Letter Signed‚ to H.W.Phillips‚ about the dinner for the Artists General Benevolent Association‚ and sending a donation. A good one page example‚ 5 x 3½ inches. 19 Hyde Park Gate South‚ Kensington Gore‚ 29 March 1862. Charles West Cope (1811-1890)‚ historical painter. Price : £30.00
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CORBOULD‚ Alfred Chantrey. 7594
Autograph Letter Signed ‘A.C.Corbould’‚ to Mr.Burnand‚ incorporating an original signed cartoon of Receiving Day at the Royal Academy in 1894‚ called ‘A Fact’. 2 pp. 7 x 4½ inches‚ folds‚ in good condition. 8 Pembroke Road‚ Kensington‚ 4 April 1894. Alfred Chantrey Corbould (1852-1920)‚ artist and illustrator‚ studied with his uncle Charles Keene‚ who introduced him to Punch‚ where much of his work was published. His correspondent is Sir Francis C.Burnand (1836-1917)‚ author‚ editor of Punch.The cartoon shows a porter receiving a canvas from an artist. ‘R.A.Porter to Stodge‚ delivering his Picture: “ ‘stonishing lot o Rubbish sent in this year Sir. Moo’ damaging to th’ [h]eys Sir.”’
Price : £250.00
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Autograph Letter Signed ‘A.C.Corbould’‚ to Mr.Burnand‚ incorporating an original signed cartoon of Receiving Day at the Royal Academy in 1894‚ called ‘A Fact’. 2 pp. 7 x 4½ inches‚ folds‚ in good condition. 8 Pembroke Road‚ Kensington‚ 4 April 1894. Alfred Chantrey Corbould (1852-1920)‚ artist and illustrator‚ studied with his uncle Charles Keene‚ who introduced him to Punch‚ where much of his work was published. His correspondent is Sir Francis C.Burnand (1836-1917)‚ author‚ editor of Punch.The cartoon shows a porter receiving a canvas from an artist. ‘R.A.Porter to Stodge‚ delivering his Picture: “ ‘stonishing lot o Rubbish sent in this year Sir. Moo’ damaging to th’ [h]eys Sir.”’ Price : £250.00
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COUSINS‚ Samuel. 10036
Autograph Letter Signed‚ to Mr. Mann‚ about an exchange of prints. 1 page 7 x 4½ inches‚ in good condition. 24 Camden Square‚ 11 October 1877. Samuel Cousins (1801-87)‚ mezzotint engraver. “I have been looking out proofs of several of my Plates after Reynolds‚ and when you are disposed to exchange ‘Old Lamps for New’‚ and will give me the opportunity to see what your store of the Old consists of‚ I shall be ready to have an evening with your portfolios.”
Price : £75.00
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Autograph Letter Signed‚ to Mr. Mann‚ about an exchange of prints. 1 page 7 x 4½ inches‚ in good condition. 24 Camden Square‚ 11 October 1877. Samuel Cousins (1801-87)‚ mezzotint engraver. “I have been looking out proofs of several of my Plates after Reynolds‚ and when you are disposed to exchange ‘Old Lamps for New’‚ and will give me the opportunity to see what your store of the Old consists of‚ I shall be ready to have an evening with your portfolios.” Price : £75.00
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CRUICKSHANK‚ George. 4170
Autograph Letter Signed‚ with his distinctive flamboyant signature‚ to Alexander Watt‚ asking him to call‚ and promising to reply to any letter making an appointment. 2 pp. 9 x 7 inches‚ in good condition. 263 Hampstead Road 17 November 1864 George Cruickshank (1792-1878)‚ caricaturist and illustrator.
Price : £100.00
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Autograph Letter Signed‚ with his distinctive flamboyant signature‚ to Alexander Watt‚ asking him to call‚ and promising to reply to any letter making an appointment. 2 pp. 9 x 7 inches‚ in good condition. 263 Hampstead Road 17 November 1864 George Cruickshank (1792-1878)‚ caricaturist and illustrator. Price : £100.00
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D’ORSAY‚ Count Alfred. 11269
Autograph Letter Signed‚ to ‘Mon cher Le Dru’‚ saying that he had returned to dress for an evening at the Marquise de Saffray‚ and had found in his room 300 prints‚ all of which required his signature before being sent to England this morning‚ in addition to three letters of introduction which need to be written‚ explaining that this was why it was so late when he retired‚ “très fatigué”. In French. 1 page 8 x 5½ inches‚ folds‚ in very good condition‚ integral blank leaf. From the Enys Collection. [Paris] Sunday morning‚ undated. “Voules-vous expliquer ceci à mon ancien Camarade Saffray.” Count Alfred D’Orsay (1801-52)‚ artist‚ the last of the dandies‚ defied convention with Lady Blessington in a society of authors‚ artists‚ and men of fashion.
Price : £150.00
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Autograph Letter Signed‚ to ‘Mon cher Le Dru’‚ saying that he had returned to dress for an evening at the Marquise de Saffray‚ and had found in his room 300 prints‚ all of which required his signature before being sent to England this morning‚ in addition to three letters of introduction which need to be written‚ explaining that this was why it was so late when he retired‚ “très fatigué”. In French. 1 page 8 x 5½ inches‚ folds‚ in very good condition‚ integral blank leaf. From the Enys Collection. [Paris] Sunday morning‚ undated. “Voules-vous expliquer ceci à mon ancien Camarade Saffray.” Count Alfred D’Orsay (1801-52)‚ artist‚ the last of the dandies‚ defied convention with Lady Blessington in a society of authors‚ artists‚ and men of fashion. Price : £150.00
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DORE‚ Gustave. 10017
Autograph Letter Signed‚ addressed ‘Madame’ [Mrs. Darby Griffiths]‚ regretting that he is unable to accept her invitation. In French. A good one page example‚ 7 x 4½ inches‚ a few light creases. 21 July 1873. Gustave Doré (1832-1883)‚ French artist‚ engraver‚ illustrator and sculptor. Doré worked primarily with wood engraving and steel engraving.
Price : £175.00
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Autograph Letter Signed‚ addressed ‘Madame’ [Mrs. Darby Griffiths]‚ regretting that he is unable to accept her invitation. In French. A good one page example‚ 7 x 4½ inches‚ a few light creases. 21 July 1873. Gustave Doré (1832-1883)‚ French artist‚ engraver‚ illustrator and sculptor. Doré worked primarily with wood engraving and steel engraving. Price : £175.00
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FAED‚ Thomas. 8803
Autograph Letter Signed‚ to Colin Hunter‚ painter of seascapes‚ explaining that the proposed date for their meeting conflicts with a meeting of the R.A. Club. 1 page 7 x 4½ inches. 24A‚ Cavendish Road‚ St. Johns Wood‚ undated. Thomas Faed (1826-1900)‚ Scottish painter.
Price : £45.00
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Autograph Letter Signed‚ to Colin Hunter‚ painter of seascapes‚ explaining that the proposed date for their meeting conflicts with a meeting of the R.A. Club. 1 page 7 x 4½ inches. 24A‚ Cavendish Road‚ St. Johns Wood‚ undated. Thomas Faed (1826-1900)‚ Scottish painter. Price : £45.00
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FARINGTON‚ Joseph. 11338
Autograph Note‚ in the third person‚ to James Northcote‚ the painter‚ requesting “the favor of Mr.Northcote’s company to Dinner on Tuesday next at ½ past 5 oClock”. 1 page 7 x 4½ inches‚ integral address leaf‚ light dust soiling. Upper Charlotte Street‚ Thursday‚ 31 March [no year given]. Uncommon. Joseph Farington (1747-1821)‚ landscape painter‚ gained fame through his engraved book illustrations (e.g. History of the River Thames‚ 1794) and for his Diary‚ which was published in 8 volumes as late as 1922-28.
Price : £75.00
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Autograph Note‚ in the third person‚ to James Northcote‚ the painter‚ requesting “the favor of Mr.Northcote’s company to Dinner on Tuesday next at ½ past 5 oClock”. 1 page 7 x 4½ inches‚ integral address leaf‚ light dust soiling. Upper Charlotte Street‚ Thursday‚ 31 March [no year given]. Uncommon. Joseph Farington (1747-1821)‚ landscape painter‚ gained fame through his engraved book illustrations (e.g. History of the River Thames‚ 1794) and for his Diary‚ which was published in 8 volumes as late as 1922-28. Price : £75.00
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FARINGTON‚ Joseph. 7245
Autograph Note‚ in the third person‚ to Mr.Harrison‚ sending “some of the proposals last printed for a subscription for the benefit of Mrs.Woolcott and her daughters”. 3 x 3½ inches‚ torn at two corners where formerly mounted. 10 May 1814. Uncommon. Joseph Farington (1747-1821)‚ landscape painter‚ gained fame through his engraved book illustrations (e.g. History of the River Thames‚ 1794) and for his Diary‚ which was published in 8 volumes as late as 1922-28.
Price : £75.00
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Autograph Note‚ in the third person‚ to Mr.Harrison‚ sending “some of the proposals last printed for a subscription for the benefit of Mrs.Woolcott and her daughters”. 3 x 3½ inches‚ torn at two corners where formerly mounted. 10 May 1814. Uncommon. Joseph Farington (1747-1821)‚ landscape painter‚ gained fame through his engraved book illustrations (e.g. History of the River Thames‚ 1794) and for his Diary‚ which was published in 8 volumes as late as 1922-28. Price : £75.00
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FIELDING‚ Anthony Vandyke Copley. 3697
Autograph Letter Signed ‘Copley Fielding’‚ addressed ‘Dear Madam’‚ asking for her father’s signature in the membership book at the Athenaeum‚ to help secure Fielding’s own election. 2 pp. 7.5 x 4.5 inches‚ light creasing‚ otherwise in good condition. Newman Street‚ 18 February [no year given]. Copley Fielding (1787-1855)‚ water-colour painter.
Price : £50.00
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Autograph Letter Signed ‘Copley Fielding’‚ addressed ‘Dear Madam’‚ asking for her father’s signature in the membership book at the Athenaeum‚ to help secure Fielding’s own election. 2 pp. 7.5 x 4.5 inches‚ light creasing‚ otherwise in good condition. Newman Street‚ 18 February [no year given]. Copley Fielding (1787-1855)‚ water-colour painter. Price : £50.00
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FIELDING‚ Anthony Vandyke Copley. 9440
Autograph Letter Signed‚ to Thomas Griffith‚ mentioning that he has sent seven drawings for exhibition in Cockspur Street. 2 pp. 7 x 4½ inches‚ folds‚ generally in good condition‚ integral blank leaf (traces of mounting at corners). 56 Charlotte Street‚ 1 December‚ no year given. Copley Fielding (1787-1855)‚ water-colour painter. “Two (Sound of Jura & Cottages at Lindfield) have been exhibited‚ the two which are mounted with a gold line would have been so last spring‚ but I did not like to cut them. The others are new ones.”
Price : £65.00
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Autograph Letter Signed‚ to Thomas Griffith‚ mentioning that he has sent seven drawings for exhibition in Cockspur Street. 2 pp. 7 x 4½ inches‚ folds‚ generally in good condition‚ integral blank leaf (traces of mounting at corners). 56 Charlotte Street‚ 1 December‚ no year given. Copley Fielding (1787-1855)‚ water-colour painter. “Two (Sound of Jura & Cottages at Lindfield) have been exhibited‚ the two which are mounted with a gold line would have been so last spring‚ but I did not like to cut them. The others are new ones.” Price : £65.00
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FINDEN‚ Edward Francis. 6589
Autograph Letter Signed‚ telling his correspondent that he had been unable to find “some sheets you mention being offered in Hanover St. that would suit the Aristocracy”. 1 page 7 x 4½ inches‚ in good condition‚ integral blank leaf tipped on to album page. 18 Southampton Place‚ 3 November 1843. William Finden (1787-1852)‚ engraver‚ and younger brother‚ Edward Francis Finden (1791–1857)‚ became known for the their great series of steel engravings such as Finden's Landscape Illustrations to the Life and Works of Byron (1832)‚ popular works such as Finden's Gallery of the Graces (1832–4)‚ and their most ambitious production‚ the folio-size Royal Gallery of British Art (1838–40).
Price : £45.00
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Autograph Letter Signed‚ telling his correspondent that he had been unable to find “some sheets you mention being offered in Hanover St. that would suit the Aristocracy”. 1 page 7 x 4½ inches‚ in good condition‚ integral blank leaf tipped on to album page. 18 Southampton Place‚ 3 November 1843. William Finden (1787-1852)‚ engraver‚ and younger brother‚ Edward Francis Finden (1791–1857)‚ became known for the their great series of steel engravings such as Finden's Landscape Illustrations to the Life and Works of Byron (1832)‚ popular works such as Finden's Gallery of the Graces (1832–4)‚ and their most ambitious production‚ the folio-size Royal Gallery of British Art (1838–40). Price : £45.00
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FINDEN‚ William. 6588
Autograph Letter Signed ‘W.Finden’‚ to Thos.B.Cooke at Barnes Terrace‚ offering condolences on the death of his father [George Cooke (1781–1834)‚ the engraver]. 2 pp. 9 x 7½ inches‚ in good condition‚ with the integral address leaf. Southampton Place‚ 1 March 1834 William Finden (1787-1852)‚ engraver‚ and younger brother‚ Edward Francis Finden (1791–1857)‚ became known for the their great series of steel engravings such as Finden's Landscape Illustrations to the Life and Works of Byron (1832)‚ popular works such as Finden's Gallery of the Graces (1832–4)‚ and their most ambitious production‚ the folio-size Royal Gallery of British Art (1838–40).
Price : £75.00
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Autograph Letter Signed ‘W.Finden’‚ to Thos.B.Cooke at Barnes Terrace‚ offering condolences on the death of his father [George Cooke (1781–1834)‚ the engraver]. 2 pp. 9 x 7½ inches‚ in good condition‚ with the integral address leaf. Southampton Place‚ 1 March 1834 William Finden (1787-1852)‚ engraver‚ and younger brother‚ Edward Francis Finden (1791–1857)‚ became known for the their great series of steel engravings such as Finden's Landscape Illustrations to the Life and Works of Byron (1832)‚ popular works such as Finden's Gallery of the Graces (1832–4)‚ and their most ambitious production‚ the folio-size Royal Gallery of British Art (1838–40). Price : £75.00
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FRIERS‚ Rowel. 11462
Original Ink Cartoon‚ signed: “There’s no one here but us dogs.” On card‚ 5½ x 7 inches‚ mounted on an album page with the printed version. Published in Dublin Opinion‚ December 1949. Rowel Friers (1920-1998)‚ cartoonist‚ illustrator‚ painter and lithographer was apprenticed at the age of fifteen to the Belfast lithographic firm S. C. Smith and Co.‚ while studying at the Belfast College of Art from until 1942. In the 1940s he began publishing his cartoons‚ concentrating on a particularly political subject matter at the beginning of 'the troubles' in the late 1960s. His work appeared in publications such as Punch‚ The Radio Times‚ The Sunday Independent and The Irish Times among others. Friers was also an important figure in the Ulster Watercolour Society. His oil paintings hang in the National Portrait Gallery‚ The Gallery of the Ulster Museum and many other collections. He illustrated a variety of books‚ including an American edition of the works of W.B. Yeats.
Price : £100.00
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Original Ink Cartoon‚ signed: “There’s no one here but us dogs.” On card‚ 5½ x 7 inches‚ mounted on an album page with the printed version. Published in Dublin Opinion‚ December 1949. Rowel Friers (1920-1998)‚ cartoonist‚ illustrator‚ painter and lithographer was apprenticed at the age of fifteen to the Belfast lithographic firm S. C. Smith and Co.‚ while studying at the Belfast College of Art from until 1942. In the 1940s he began publishing his cartoons‚ concentrating on a particularly political subject matter at the beginning of 'the troubles' in the late 1960s. His work appeared in publications such as Punch‚ The Radio Times‚ The Sunday Independent and The Irish Times among others. Friers was also an important figure in the Ulster Watercolour Society. His oil paintings hang in the National Portrait Gallery‚ The Gallery of the Ulster Museum and many other collections. He illustrated a variety of books‚ including an American edition of the works of W.B. Yeats. Price : £100.00
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FRITH‚ W.P. 0634
Autograph Letter Signed‚ to Mrs. Knight‚ giving advice on the sale of Mr. Knight’s pictures‚ advising her that ‘copies are not saleable’ but a Haymarket gallery might ‘advise you how to get rid of them’. 2 pp. 7 x 4.5 inches‚ second page laid down on part album leaf. Bayswater‚ 4 June 1864. William Powell Frith (1819-1909)‚ painter of historical and genre works‚ including large canvases such as Derby Day (1858).
Price : £65.00
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Autograph Letter Signed‚ to Mrs. Knight‚ giving advice on the sale of Mr. Knight’s pictures‚ advising her that ‘copies are not saleable’ but a Haymarket gallery might ‘advise you how to get rid of them’. 2 pp. 7 x 4.5 inches‚ second page laid down on part album leaf. Bayswater‚ 4 June 1864. William Powell Frith (1819-1909)‚ painter of historical and genre works‚ including large canvases such as Derby Day (1858). Price : £65.00
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FRITH‚ W.P. 11560
Autograph Letter Signed‚ to Thomas Woolner R.A.‚ inviting him to visit to see “the result of my & your work”. 1 page 7 x 4 inches‚ in good condition‚ with the original envelope‚ black edges. 7 Pembridge Villas‚ Bayswater‚ 29 March 1876. William Powell Frith (1819-1909)‚ painter of historical and genre works‚ including large canvases such as Derby Day (1858).
Price : £65.00
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Autograph Letter Signed‚ to Thomas Woolner R.A.‚ inviting him to visit to see “the result of my & your work”. 1 page 7 x 4 inches‚ in good condition‚ with the original envelope‚ black edges. 7 Pembridge Villas‚ Bayswater‚ 29 March 1876. William Powell Frith (1819-1909)‚ painter of historical and genre works‚ including large canvases such as Derby Day (1858). Price : £65.00
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FRITH‚ W.P. 3671
Autograph Letter Signed‚ to JG.Frith‚ thanking him for forwarding a letter which had been delivered by mistake‚ and ‘I shall be pleased to see you here & shew you the pictures I am preparing for the Exhibition...’ 2 pp.‚ 7 x 4.5 inches‚ mourning border. 7 Pembridge Villas‚ Bayswater‚ 10 June 1868. William Powell Frith (1819-1909)‚ painter of historical and genre works‚ including larges canvases such as Derby Day (1858).
Price : £65.00
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Autograph Letter Signed‚ to JG.Frith‚ thanking him for forwarding a letter which had been delivered by mistake‚ and ‘I shall be pleased to see you here & shew you the pictures I am preparing for the Exhibition...’ 2 pp.‚ 7 x 4.5 inches‚ mourning border. 7 Pembridge Villas‚ Bayswater‚ 10 June 1868. William Powell Frith (1819-1909)‚ painter of historical and genre works‚ including larges canvases such as Derby Day (1858). Price : £65.00
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FRITH‚ W.P. 8030
Autograph Letter Signed‚ to John Mallows Youngman‚ responding to criticism of his 1874 Royal Academy picture (Blessing the Children at Boulogne) in the Times. 2 pp.‚ concluded on integral leaf‚ 7 x 4½ inches‚ folds‚ in good condition. 7 Pembridge Villas‚ Bayswater‚ 8 May 1874. A good letter by William Powell Frith (1819-1909)‚ painter of historical and genre works‚ including large canvases such as Derby Day (1858). His correspondent is John Mallows Youngman (1817-1899)‚ painter. Frith writes: “The fault the Times & other papers - the hounds all yelp after the leading dog - find with my picture not only doesn’t exist but if I had been charged with an undue concentration of effect almost amounting to trick - or artifice at least - they would have had some ground for their remark. No‚ the picture is full of faults but the art critics are about the last to discern them - come up and judge for yourself. You will see faults enough & I am vain enough to believe beauty too.”
Price : £150.00
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Autograph Letter Signed‚ to John Mallows Youngman‚ responding to criticism of his 1874 Royal Academy picture (Blessing the Children at Boulogne) in the Times. 2 pp.‚ concluded on integral leaf‚ 7 x 4½ inches‚ folds‚ in good condition. 7 Pembridge Villas‚ Bayswater‚ 8 May 1874. A good letter by William Powell Frith (1819-1909)‚ painter of historical and genre works‚ including large canvases such as Derby Day (1858). His correspondent is John Mallows Youngman (1817-1899)‚ painter. Frith writes: “The fault the Times & other papers - the hounds all yelp after the leading dog - find with my picture not only doesn’t exist but if I had been charged with an undue concentration of effect almost amounting to trick - or artifice at least - they would have had some ground for their remark. No‚ the picture is full of faults but the art critics are about the last to discern them - come up and judge for yourself. You will see faults enough & I am vain enough to believe beauty too.” Price : £150.00
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FROST‚ William Edward. 3276
Autograph Letter Signed‚ to Messrs.Routledge‚ adding the names of two of his paintings‚ Panope and The Graces‚ to his proposed entry in ‘Men of the Times’. 1 page 7 x 4.5 inches‚ in good conidtion‚ traces of mounting on verso. 6 Southampton Street‚ Fitzroy Square‚ 3 May 1864. William Edward Frost (1810-1877)‚ painter.
Price : £35.00
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Autograph Letter Signed‚ to Messrs.Routledge‚ adding the names of two of his paintings‚ Panope and The Graces‚ to his proposed entry in ‘Men of the Times’. 1 page 7 x 4.5 inches‚ in good conidtion‚ traces of mounting on verso. 6 Southampton Street‚ Fitzroy Square‚ 3 May 1864. William Edward Frost (1810-1877)‚ painter. Price : £35.00
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GASTINEAU‚ Henry. 4930
Autograph Letter Signed‚ to J.W.Winstanley‚ informing him of the sale of one of Gastineau’s pictures at the exhibition‚ and therefore asking for its return “after the close of your Exhbition”. 2 pp. 7 x 4½ inches‚ fine. Camberwell‚ 13 August 1842. Henry Gastineau (1790-1876)‚ landscape painter‚ art teacher‚ and friend of J.M.W.Turner. He was a regular contributor of drawings to topographical publications. These included eighteen subjects for T. K. Cromwell's Excursions in the County of Kent (1822)‚ thirteen scenes for W. H. Ireland's History of Kent (4 vols.‚ 1829–30)‚ numerous views for Jones & Co.'s Wales Illustrated in a Series of Views (2 vols.‚ 1830–31)‚ and‚ as late as 1860‚ he contributed nineteen works to John Tillotson's Picturesque Scenery in Wales. In this letter Gastineau asks for the return of “the picture of the South Stack Lt.House”‚ “packed with care‚ as I shall be answerable for the undamaged state of the frame‚ and I have frequently had much reason to complain on this subject”.
Price : £75.00
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Autograph Letter Signed‚ to J.W.Winstanley‚ informing him of the sale of one of Gastineau’s pictures at the exhibition‚ and therefore asking for its return “after the close of your Exhbition”. 2 pp. 7 x 4½ inches‚ fine. Camberwell‚ 13 August 1842. Henry Gastineau (1790-1876)‚ landscape painter‚ art teacher‚ and friend of J.M.W.Turner. He was a regular contributor of drawings to topographical publications. These included eighteen subjects for T. K. Cromwell's Excursions in the County of Kent (1822)‚ thirteen scenes for W. H. Ireland's History of Kent (4 vols.‚ 1829–30)‚ numerous views for Jones & Co.'s Wales Illustrated in a Series of Views (2 vols.‚ 1830–31)‚ and‚ as late as 1860‚ he contributed nineteen works to John Tillotson's Picturesque Scenery in Wales. In this letter Gastineau asks for the return of “the picture of the South Stack Lt.House”‚ “packed with care‚ as I shall be answerable for the undamaged state of the frame‚ and I have frequently had much reason to complain on this subject”. Price : £75.00
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GOODALL‚ Frederick. 7042
Autograph Letter Signed‚ to Mr.Heywood‚ explaining that he has been up to London “to superintend the hanging of pictures at the Peoples Palace”‚ adding that his finest pictures are to be included in the exhibition. 2½ pages 7 x 4½ inches‚ in good condition. 1 Wilmington Square‚ Eastbourne‚ 13 August 1892. Frederick Goodall (1822-1904)‚ artist.
Price : £35.00
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Autograph Letter Signed‚ to Mr.Heywood‚ explaining that he has been up to London “to superintend the hanging of pictures at the Peoples Palace”‚ adding that his finest pictures are to be included in the exhibition. 2½ pages 7 x 4½ inches‚ in good condition. 1 Wilmington Square‚ Eastbourne‚ 13 August 1892. Frederick Goodall (1822-1904)‚ artist. Price : £35.00
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GOULD‚ Sir Francis Carruthers. 7491
Autograph Letter Signed‚ to Mr.Charles Pasco‚ giving him advice on his plans to become an artist. 3 pp. 7 x 4½ inches‚ in good condition. 5 Endsleigh Street‚ Tavistock Square‚ 28 September 1903. Sir Francis Carruthers Gould (1844-1925)‚ cartoonist‚ pioneer of ‘picture politics’ in the Westminster Gazette‚ under the initials F.C.G.
Price : £45.00
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Autograph Letter Signed‚ to Mr.Charles Pasco‚ giving him advice on his plans to become an artist. 3 pp. 7 x 4½ inches‚ in good condition. 5 Endsleigh Street‚ Tavistock Square‚ 28 September 1903. Sir Francis Carruthers Gould (1844-1925)‚ cartoonist‚ pioneer of ‘picture politics’ in the Westminster Gazette‚ under the initials F.C.G. Price : £45.00
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GROS‚ Lucien. 4950
Autograph Letter Signed ‘L.Gros’‚ to “Mon cher Eberstadt”‚ discussing his forthcoming visit to the salon‚ and other matters. In French. 2 pp. 5 x 4 inches‚ in good condition. Poissy‚ undated. Lucien-Alphonse Gros (1845-1913)‚ French painter‚ pupil of Meissonier‚ exhibited at the Salon de Paris from 1865 to 1882.
Price : £65.00
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Autograph Letter Signed ‘L.Gros’‚ to “Mon cher Eberstadt”‚ discussing his forthcoming visit to the salon‚ and other matters. In French. 2 pp. 5 x 4 inches‚ in good condition. Poissy‚ undated. Lucien-Alphonse Gros (1845-1913)‚ French painter‚ pupil of Meissonier‚ exhibited at the Salon de Paris from 1865 to 1882. Price : £65.00
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HAAG‚ Carl. 3549
Autograph Letter Signed ‘Carl Haag’‚ to Mr.Hudson‚ resigning from a Committee‚ preferring to have an independent position withing the Society‚ because ‘I differ somewhat about the ways and means by which to attain the same end...’ 1 page 6 x 8 inches‚ in fine condition. Ida Villa‚ Lyndhurst Road‚ Hampstead‚ 22 January 1892. Carl Haag (1820-1915)‚ German painter of Oriental subjects.
Price : £45.00
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Autograph Letter Signed ‘Carl Haag’‚ to Mr.Hudson‚ resigning from a Committee‚ preferring to have an independent position withing the Society‚ because ‘I differ somewhat about the ways and means by which to attain the same end...’ 1 page 6 x 8 inches‚ in fine condition. Ida Villa‚ Lyndhurst Road‚ Hampstead‚ 22 January 1892. Carl Haag (1820-1915)‚ German painter of Oriental subjects. Price : £45.00
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HAAG‚ Carl. 5757
Autograph Letter Signed ‘Carl Haag’‚ to the Editor of Men and Women of the Time‚ correcting some biographical details‚ and mentioning two additional medals he has been awarded. 1 page 7½ x 6 inches‚ used for a later letter on verso‚ vertical fold‚ in good condition. Ida Villa‚ Lyndhurst Road‚ Hampstead‚ 25 April 1898 Carl Haag (1820-1915)‚ German painter of Oriental subjects.
Price : £45.00
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Autograph Letter Signed ‘Carl Haag’‚ to the Editor of Men and Women of the Time‚ correcting some biographical details‚ and mentioning two additional medals he has been awarded. 1 page 7½ x 6 inches‚ used for a later letter on verso‚ vertical fold‚ in good condition. Ida Villa‚ Lyndhurst Road‚ Hampstead‚ 25 April 1898 Carl Haag (1820-1915)‚ German painter of Oriental subjects. Price : £45.00
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HAAG‚ Carl. 9160
Autograph Letter Signed‚ to Mr. Bowman (later Sir William Bowman‚ opthalmic surgeon)‚ explaining that he had missed his train‚ and therefore could not attend dinner at the Bowmans. 1 page 6 x 7½ inches‚ a few minor tears at folds. Hampstead‚ 4 May 1883. Carl Haag (1820-1915) was a German-born painter who became a naturalized British citizen‚ and court painter to the duke of Saxe-Coburg and Gotha. He is known for his Oriental subjects. He was born in Erlangen (Bavaria)‚ and was trained in the academies at Nuremberg and Munich. Haag practised first as an illustrator and as a painter‚ in oil‚ of portraits and architectural subjects; but after he settled in England‚ in 1847‚ he devoted himself to water colours‚ and was elected associate of the Royal Society of Painters in Water Colours in 1850 and member in 1853. He travelled much‚ especially in the East‚ and made a considerable reputation by his firmly drawn and carefully elaborated paintings of Eastern subjects. Towards the end of his professional career Carl Haag quitted England and returned to Germany where he died in Oberwesel.
Price : £30.00
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Autograph Letter Signed‚ to Mr. Bowman (later Sir William Bowman‚ opthalmic surgeon)‚ explaining that he had missed his train‚ and therefore could not attend dinner at the Bowmans. 1 page 6 x 7½ inches‚ a few minor tears at folds. Hampstead‚ 4 May 1883. Carl Haag (1820-1915) was a German-born painter who became a naturalized British citizen‚ and court painter to the duke of Saxe-Coburg and Gotha. He is known for his Oriental subjects. He was born in Erlangen (Bavaria)‚ and was trained in the academies at Nuremberg and Munich. Haag practised first as an illustrator and as a painter‚ in oil‚ of portraits and architectural subjects; but after he settled in England‚ in 1847‚ he devoted himself to water colours‚ and was elected associate of the Royal Society of Painters in Water Colours in 1850 and member in 1853. He travelled much‚ especially in the East‚ and made a considerable reputation by his firmly drawn and carefully elaborated paintings of Eastern subjects. Towards the end of his professional career Carl Haag quitted England and returned to Germany where he died in Oberwesel. Price : £30.00
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HALL‚ Sydney Prior. 6123
A series of six Autograph Letters Signed‚ to Sir Spencer Ponsonby-Fane‚ agreeing to show him his pictures‚ thanking him for tickets‚ etc. 8 pp. 7 x 4½ inches‚ in good condition. c.1886-1890. Sydney Prior Hall (1842-1922)‚ painter of Court ceremonials‚ accompanied the Prince of Wales on his visit to India in 1875-6. He was commissioned by Macmillans to illustrated Tom Brown’s Schooldays.
Price : £60.00
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A series of six Autograph Letters Signed‚ to Sir Spencer Ponsonby-Fane‚ agreeing to show him his pictures‚ thanking him for tickets‚ etc. 8 pp. 7 x 4½ inches‚ in good condition. c.1886-1890. Sydney Prior Hall (1842-1922)‚ painter of Court ceremonials‚ accompanied the Prince of Wales on his visit to India in 1875-6. He was commissioned by Macmillans to illustrated Tom Brown’s Schooldays. Price : £60.00
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HARDING‚ James Duffield. 11276
Autograph Letter Signed‚ to Mr. Vaughan‚ asking him “to deliver to the Bearer my Picture No. 494 in the Royal Academy Exhibition”. 1 page 7 x 4½ inches‚ light dust soiling. 3 Abercorn Place‚ 26 July 1848. James Duffield Harding (1797-1863)‚ landscape painter and lithographer.
Price : £35.00
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Autograph Letter Signed‚ to Mr. Vaughan‚ asking him “to deliver to the Bearer my Picture No. 494 in the Royal Academy Exhibition”. 1 page 7 x 4½ inches‚ light dust soiling. 3 Abercorn Place‚ 26 July 1848. James Duffield Harding (1797-1863)‚ landscape painter and lithographer. Price : £35.00
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HARDY‚ Dudley. 11461
Illustrated Autograph Letter Signed ‘Thine always Dudley’‚ to ‘My dear old Ed’‚ thanking him for the Jubilee Guide‚ commenting humorously on the art world‚ promising to “bring out An ‘Ardy Hannual”‚ asking his correspondent for a story “& I’ll owe you the money‚ till you’re paid”. 3 pp.‚ 8 x 5 inches‚ in good condition‚ minor marginal tears. 29 June 1897. Dudley Hardy (1867-1922)‚ painter and illustrator. His talents coincided with the boom in illustrated magazines and the power of the poster at the turn of the century. The most famous image is the Yellow Girl‚ which Hardy created to advertise the magazine Today. He designed many posters for the Savoy Theatre‚ including those for the D'Oyly Carte operas.
Price : £120.00
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Illustrated Autograph Letter Signed ‘Thine always Dudley’‚ to ‘My dear old Ed’‚ thanking him for the Jubilee Guide‚ commenting humorously on the art world‚ promising to “bring out An ‘Ardy Hannual”‚ asking his correspondent for a story “& I’ll owe you the money‚ till you’re paid”. 3 pp.‚ 8 x 5 inches‚ in good condition‚ minor marginal tears. 29 June 1897. Dudley Hardy (1867-1922)‚ painter and illustrator. His talents coincided with the boom in illustrated magazines and the power of the poster at the turn of the century. The most famous image is the Yellow Girl‚ which Hardy created to advertise the magazine Today. He designed many posters for the Savoy Theatre‚ including those for the D'Oyly Carte operas. Price : £120.00
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HARDY‚ Heywood. 4544
Autograph Letter Signed to “My dear Agnew”‚ asking him to see his new painting completed for the Academy‚ because “I expect some big swells to call next week and if they enquire‚ what am I to say?” 3 pp. 7 x 4½ inches. 19 St.John’s Wood Road‚ 12 March 1876. Heywood Hardy‚ nineteenth century English artist‚ animal painter. “Your large lion is finished...”
Price : £35.00
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Autograph Letter Signed to “My dear Agnew”‚ asking him to see his new painting completed for the Academy‚ because “I expect some big swells to call next week and if they enquire‚ what am I to say?” 3 pp. 7 x 4½ inches. 19 St.John’s Wood Road‚ 12 March 1876. Heywood Hardy‚ nineteenth century English artist‚ animal painter. “Your large lion is finished...” Price : £35.00
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HARVEY‚ Sir George. 11038
Autograph Letter Signed‚ to Henry Graves‚ the print seller‚ about the sale of pictures‚ trying to persuade him “to have the engraving done in line and not in Mezzotint”‚ suggesting (with an illustration in this letter) a wall arrangement of three pictures which would sell well‚ and referring to Landseer’s experience. 4 pp.‚ incorporating an ink illustration‚ 10 x 8 inches‚ filing hole‚ traces of mounting‚ generally in good condition. Edinborough‚ 3 April 1844. Sir George Harvey (1806-76)‚ Scottish painter‚ one of the original associates and later the president of the Scottish Academy. His Scottish scenes became popular through engravings. From the late 1820s Harvey devoted himself to figure painting‚ the subjects of which were mainly derived from the history and the daily life of Scotland. He became best-known for his series depicting scenes from the covenanting period‚ including Covenanters Preaching and The Covenanters Communion. However‚ it was as a landscape painter that Harvey excelled.
Price : £100.00
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Autograph Letter Signed‚ to Henry Graves‚ the print seller‚ about the sale of pictures‚ trying to persuade him “to have the engraving done in line and not in Mezzotint”‚ suggesting (with an illustration in this letter) a wall arrangement of three pictures which would sell well‚ and referring to Landseer’s experience. 4 pp.‚ incorporating an ink illustration‚ 10 x 8 inches‚ filing hole‚ traces of mounting‚ generally in good condition. Edinborough‚ 3 April 1844. Sir George Harvey (1806-76)‚ Scottish painter‚ one of the original associates and later the president of the Scottish Academy. His Scottish scenes became popular through engravings. From the late 1820s Harvey devoted himself to figure painting‚ the subjects of which were mainly derived from the history and the daily life of Scotland. He became best-known for his series depicting scenes from the covenanting period‚ including Covenanters Preaching and The Covenanters Communion. However‚ it was as a landscape painter that Harvey excelled. Price : £100.00
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HARVEY‚ Sir George. 3282
Autograph Letter Signed‚ to Henry Graves‚ the printseller‚ asking for prints and proofs of his painting‚ The School Examination‚ in lieu of a copyright payment. 1 page 10 x 8 inches‚ filing hole‚ mounted on to an old album page‚ in good condition. Edinburgh‚ 10 May 1841. Sir George Harvey (1806-76)‚ Scottish painter‚ one of the original associates and later the president of the Scottish Academy. His Scottish scenes became popular through engravings.
Price : £45.00
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Autograph Letter Signed‚ to Henry Graves‚ the printseller‚ asking for prints and proofs of his painting‚ The School Examination‚ in lieu of a copyright payment. 1 page 10 x 8 inches‚ filing hole‚ mounted on to an old album page‚ in good condition. Edinburgh‚ 10 May 1841. Sir George Harvey (1806-76)‚ Scottish painter‚ one of the original associates and later the president of the Scottish Academy. His Scottish scenes became popular through engravings. Price : £45.00
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HARVEY‚ Sir George. 4568
Autograph Letter Signed‚ to Henry Squire‚ enquiring about the safe delivery of his picture of Napoleon to the Royal Academy. 2 pp. 9 x 8 inches‚ minor defects at folds. Edinburgh‚ 17 April 1843. Sir George Harvey (1806-1876)‚ painter. One of the original associates and later the president of the Scottish Academy. His Scottish scenes became popular through engravings.
Price : £45.00
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Autograph Letter Signed‚ to Henry Squire‚ enquiring about the safe delivery of his picture of Napoleon to the Royal Academy. 2 pp. 9 x 8 inches‚ minor defects at folds. Edinburgh‚ 17 April 1843. Sir George Harvey (1806-1876)‚ painter. One of the original associates and later the president of the Scottish Academy. His Scottish scenes became popular through engravings. Price : £45.00
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HAYTER‚ John. 11051
Autograph Letter Signed [to Henry Graves‚ print seller]‚ pleased that the drawing of The Lady Seymour had fallen into his hands‚ discussing portraits and collectors. 3 pp. 7 x 4½ inches‚ central filing holes‚ otherwise good‚ traces of mounting. 13 Manchester Square‚ 27 June 1844. John Hayter (1800-1891)‚ portrait painter‚ exhibited at the Royal Academy from 1815 to 1879.
Price : £35.00
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Autograph Letter Signed [to Henry Graves‚ print seller]‚ pleased that the drawing of The Lady Seymour had fallen into his hands‚ discussing portraits and collectors. 3 pp. 7 x 4½ inches‚ central filing holes‚ otherwise good‚ traces of mounting. 13 Manchester Square‚ 27 June 1844. John Hayter (1800-1891)‚ portrait painter‚ exhibited at the Royal Academy from 1815 to 1879. Price : £35.00
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HERBERT‚ John Rogers. 6701
Autograph Letter Signed‚ to the Revd. Dr.Northcote‚ agreeing to go down to Oscott with him to “set the pictures right”‚ and discussing a trial at which he has to appear as a witness. 2 pp. 7 x 4½ inches‚ fine‚ one slight thin where formerly mounted. The Chimes‚ West End Lane‚ Kilburn‚ 2 July 1874. John Rogers Herbert (1810–1890)‚ painter. He converted to Roman Catholicism and developed a close friendship with Augustus Welby Pugin. Herbert's impressive portrait of Cardinal Wiseman (exh. RA‚ 1842; St Mary's College‚ Oscott) indicates the high Catholic circles in which he moved. Herbert advocated painting in the open air‚ a central tenet of Pre-Raphaelitism. In 1869 he moved with his family to his newly built London residence‚ The Chimes‚ West End Lane‚ in Kilburn‚ designed by Pugin's son Edward.
Price : £65.00
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Autograph Letter Signed‚ to the Revd. Dr.Northcote‚ agreeing to go down to Oscott with him to “set the pictures right”‚ and discussing a trial at which he has to appear as a witness. 2 pp. 7 x 4½ inches‚ fine‚ one slight thin where formerly mounted. The Chimes‚ West End Lane‚ Kilburn‚ 2 July 1874. John Rogers Herbert (1810–1890)‚ painter. He converted to Roman Catholicism and developed a close friendship with Augustus Welby Pugin. Herbert's impressive portrait of Cardinal Wiseman (exh. RA‚ 1842; St Mary's College‚ Oscott) indicates the high Catholic circles in which he moved. Herbert advocated painting in the open air‚ a central tenet of Pre-Raphaelitism. In 1869 he moved with his family to his newly built London residence‚ The Chimes‚ West End Lane‚ in Kilburn‚ designed by Pugin's son Edward. Price : £65.00
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HERING‚ George Edwards. 5412
Autograph Letter Signed‚ informing his correspondent that “I hope to be able to manage to make the drawings”. 1 page 6 x 4½ inches‚ blank piece trimmed at foot. Grove End Road‚ 20 October [no year given]. George Edwards Hering (1805-79)‚ landscape painter.
Price : £30.00
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Autograph Letter Signed‚ informing his correspondent that “I hope to be able to manage to make the drawings”. 1 page 6 x 4½ inches‚ blank piece trimmed at foot. Grove End Road‚ 20 October [no year given]. George Edwards Hering (1805-79)‚ landscape painter. Price : £30.00
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HUNT‚ William Henry. 11050
Autograph Letter Signed ‘W.Hunt’‚ addressed ‘Dear Sir’ [probably Henry Graves‚ print seller]‚ saying that he had seen Mr Fox and Mr Sheepshanks on Tuesday‚ and they were “astonished to find that I had not received the impressions of Boy with Pie you had promised to forward to me...” 2 pp. 5½ x 3½ inches‚ central filing hole‚ otherwise in good condition. 62 Stanhope Street‚ Hampstead Road‚ 30 October‚ no year given. William Henry Hunt (1790–1864)‚ watercolour painter. In 1845 Hunt moved to 62 Stanhope Street‚ Hampstead Road‚ London‚ where his studio was described by Walter Sickert (in 1910) as ‘a little box lit from above that cannot have measured more than seven foot square’. John Ruskin admired his work. Samuel Palmer told a story about a lady who asked Hunt about his technique only to receive the down-to-earth reply that the only thing to do ‘is to Fudge it out … we must all fudge it out‚ there is no other way than Fudging it out!’
Price : £65.00
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Autograph Letter Signed ‘W.Hunt’‚ addressed ‘Dear Sir’ [probably Henry Graves‚ print seller]‚ saying that he had seen Mr Fox and Mr Sheepshanks on Tuesday‚ and they were “astonished to find that I had not received the impressions of Boy with Pie you had promised to forward to me...” 2 pp. 5½ x 3½ inches‚ central filing hole‚ otherwise in good condition. 62 Stanhope Street‚ Hampstead Road‚ 30 October‚ no year given. William Henry Hunt (1790–1864)‚ watercolour painter. In 1845 Hunt moved to 62 Stanhope Street‚ Hampstead Road‚ London‚ where his studio was described by Walter Sickert (in 1910) as ‘a little box lit from above that cannot have measured more than seven foot square’. John Ruskin admired his work. Samuel Palmer told a story about a lady who asked Hunt about his technique only to receive the down-to-earth reply that the only thing to do ‘is to Fudge it out … we must all fudge it out‚ there is no other way than Fudging it out!’ Price : £65.00
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HUNT‚ William Holman. 11571
Autograph Letter Signed‚ addressed ‘Dear Madam’ [Mrs. Higford Burr]‚ regretting he has to give up the prospect of spending next Sunday at Aldermaston‚ but discussing the possibility of a visit the following week. 3 pp. 7 x 4 inches‚ in good condition‚ traces of mounting. 1 Tor Villa‚ Campden Hill W.‚ 26 August 1858. W.Holman Hunt (1827-1910)‚ Pre-Raphaelite painter. Mary Higford Burr was the wife of Daniel Higford Burr‚ who built Aldermaston Manor. Her ghost is said to roam the corridors.
Price : £175.00
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Autograph Letter Signed‚ addressed ‘Dear Madam’ [Mrs. Higford Burr]‚ regretting he has to give up the prospect of spending next Sunday at Aldermaston‚ but discussing the possibility of a visit the following week. 3 pp. 7 x 4 inches‚ in good condition‚ traces of mounting. 1 Tor Villa‚ Campden Hill W.‚ 26 August 1858. W.Holman Hunt (1827-1910)‚ Pre-Raphaelite painter. Mary Higford Burr was the wife of Daniel Higford Burr‚ who built Aldermaston Manor. Her ghost is said to roam the corridors. Price : £175.00
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HUNT‚ William Holman. 11572
Autograph Letter Signed ‘W.Holman Hunt’‚ to Mrs. Leslie‚ inviting her to “come over and see my picture in its frame today”. 1 page 6 x 4 inches‚ some light ink offsetting‚ in good condition. 11 April 1860. W.Holman Hunt (1827-1910)‚ Pre-Raphaelite painter.
Price : £100.00
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Autograph Letter Signed ‘W.Holman Hunt’‚ to Mrs. Leslie‚ inviting her to “come over and see my picture in its frame today”. 1 page 6 x 4 inches‚ some light ink offsetting‚ in good condition. 11 April 1860. W.Holman Hunt (1827-1910)‚ Pre-Raphaelite painter. Price : £100.00
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HUNT‚ William Morris. 7239
Autograph Letter Signed‚ to W.J.Robjohn‚ paying him for ‘Hatton’s Songs’ on behalf of his wife who ‘is much pleased to hear that you are writing an opera and would like to see some of the music.’ 2 pp.‚ separated‚ 7 x 4½ inches‚ light staining at folds. Boston‚ 19 December 1863 William Morris Hunt (1824-79) established himself as a painter in Boston‚ and introduced the new generation of American artists to the influence of French painting.
Price : £45.00
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Autograph Letter Signed‚ to W.J.Robjohn‚ paying him for ‘Hatton’s Songs’ on behalf of his wife who ‘is much pleased to hear that you are writing an opera and would like to see some of the music.’ 2 pp.‚ separated‚ 7 x 4½ inches‚ light staining at folds. Boston‚ 19 December 1863 William Morris Hunt (1824-79) established himself as a painter in Boston‚ and introduced the new generation of American artists to the influence of French painting. Price : £45.00
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HUNTER‚ Colin. 11104
A series of 8 Autograph Letters Signed‚ to Walter Buckler Lethbridge‚ accepting invitations‚ discussing the sale of his pictures‚ meeting acquaintances‚ etc. 17 pp. 7 x 4½ inches‚ fine. 14 Melbury Road‚ Kensington; Whitehills‚ Banff; 1880-1885. Colin Hunter (1841-1904)‚ coastal landscape and marine painter‚ was born in Glasgow and living there for much of his working life. He trained in landscape‚ and took to marine painting in the 1860s. He exhibited at the Royal Academy from 1868‚ showing around a hundred pictures there through to 1903. He maintained a London address from the early 1870s‚ and achieved success with scenes of fishermen at work‚ boats at sea‚ harbour scenes‚ and shore scenes with fisher folk.
Price : £100.00
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A series of 8 Autograph Letters Signed‚ to Walter Buckler Lethbridge‚ accepting invitations‚ discussing the sale of his pictures‚ meeting acquaintances‚ etc. 17 pp. 7 x 4½ inches‚ fine. 14 Melbury Road‚ Kensington; Whitehills‚ Banff; 1880-1885. Colin Hunter (1841-1904)‚ coastal landscape and marine painter‚ was born in Glasgow and living there for much of his working life. He trained in landscape‚ and took to marine painting in the 1860s. He exhibited at the Royal Academy from 1868‚ showing around a hundred pictures there through to 1903. He maintained a London address from the early 1870s‚ and achieved success with scenes of fishermen at work‚ boats at sea‚ harbour scenes‚ and shore scenes with fisher folk. Price : £100.00
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IBBETSON‚ Julius Caesar. 6132
Autograph Letter Signed‚ ordering “2 pair of the same size groups of flowers as the last. 2 doz of swans quills & sticks & ½ doz dark Brown Madder which I think a very fine color‚ ½ cake Carmine”. 1 page 10 x 8 inches‚ in good condition‚ tipped on to an old album page. Docketed 26 November 1816. Julius Caesar Ibbetson (1759-1817)‚ landscape and watercolour painter. Ibbetson's thirty years as an exhibitor of landscapes and genre scenes at the Royal Academy began in 1785 with View of North Fleet. George Biggin of 1783 (Yale U. CBA) is one of Ibbetson's earliest known works and‚ as an accomplished full-length portrait in the Gainsborough tradition‚ should be considered as a milestone in the development of an artist who was entirely self-taught. Through the connoisseur Captain William Baillie‚ Ibbetson was appointed draughtsman to Colonel Charles Cathcart on the first British embassy to Peking (Beijing) in 1787‚ and he made numerous watercolour drawings of the fauna and the scenery en route‚ for example False Bay‚ Cape of Good Hope (V&A). Benjamin West accurately dubbed him the ‘Berchem of England’ in acknowledgement of his debt to the Dutch seventeenth-century landscape painters. His watercolours are prized for their delicacy and sureness of line; many were engraved for such diverse projects as John Church's publication A Cabinet of Quadrupeds‚ and John Boydell's Shakspeare Gallery. [DNB]
Price : £100.00
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Autograph Letter Signed‚ ordering “2 pair of the same size groups of flowers as the last. 2 doz of swans quills & sticks & ½ doz dark Brown Madder which I think a very fine color‚ ½ cake Carmine”. 1 page 10 x 8 inches‚ in good condition‚ tipped on to an old album page. Docketed 26 November 1816. Julius Caesar Ibbetson (1759-1817)‚ landscape and watercolour painter. Ibbetson's thirty years as an exhibitor of landscapes and genre scenes at the Royal Academy began in 1785 with View of North Fleet. George Biggin of 1783 (Yale U. CBA) is one of Ibbetson's earliest known works and‚ as an accomplished full-length portrait in the Gainsborough tradition‚ should be considered as a milestone in the development of an artist who was entirely self-taught. Through the connoisseur Captain William Baillie‚ Ibbetson was appointed draughtsman to Colonel Charles Cathcart on the first British embassy to Peking (Beijing) in 1787‚ and he made numerous watercolour drawings of the fauna and the scenery en route‚ for example False Bay‚ Cape of Good Hope (V&A). Benjamin West accurately dubbed him the ‘Berchem of England’ in acknowledgement of his debt to the Dutch seventeenth-century landscape painters. His watercolours are prized for their delicacy and sureness of line; many were engraved for such diverse projects as John Church's publication A Cabinet of Quadrupeds‚ and John Boydell's Shakspeare Gallery. [DNB] Price : £100.00
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ISRAELS‚ Josef. 6053
Autograph Letter Signed ‘Josef Israels’‚ to John Forbes White at Aberdeen‚ discussing paintings and what artists say at Exhibitions about other artists’ paintings (“they say the same thing‚ Your picture is one of your best & they like it very much but what a bad place...”)‚ how they have laughed at a play by “the genious pyramidal Victor Hugo”‚ exhibition news‚ etc. 3 pp. 8 x 5½ inches‚ in good condition‚ with the original envelope. Paris‚ 17 May 1873. Josef Israels (1824-1911)‚ Dutch genre painter. “The Salon is poor ...Breton is not good this year ...but Corot is fine ...Rubbish much on the line.”
Price : £200.00
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Autograph Letter Signed ‘Josef Israels’‚ to John Forbes White at Aberdeen‚ discussing paintings and what artists say at Exhibitions about other artists’ paintings (“they say the same thing‚ Your picture is one of your best & they like it very much but what a bad place...”)‚ how they have laughed at a play by “the genious pyramidal Victor Hugo”‚ exhibition news‚ etc. 3 pp. 8 x 5½ inches‚ in good condition‚ with the original envelope. Paris‚ 17 May 1873. Josef Israels (1824-1911)‚ Dutch genre painter. “The Salon is poor ...Breton is not good this year ...but Corot is fine ...Rubbish much on the line.” Price : £200.00
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JEWITT‚ Orlando. 11609
Autograph Letter Signed‚ to W.B.Rye‚ sending proofs‚ including all required from the Cathedrals series‚ but he has not yet found the illustrations of King Charles’s Prayer Book and Archbishop Parker’s Seal. 2 pp. 7 x 4½ inches‚ in good condition. 20 Clifton Villas‚ Camden Square‚ 27 September 1866. Thomas Orlando Sheldon Jewitt (1799-869))‚ architectural wood-engraver. Before modern photographic processes‚ wood engraving was the standard method of book illustration. Orlando Jewitt's illustrations were widely used between 1820 and 1870. Many of his engravings are still used in modern works and are frequently to be found in reference works covering architecture‚ archaeology‚ typography and natural history. He produced numerous engravings used for seals and bookplates.
Price : £65.00
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Autograph Letter Signed‚ to W.B.Rye‚ sending proofs‚ including all required from the Cathedrals series‚ but he has not yet found the illustrations of King Charles’s Prayer Book and Archbishop Parker’s Seal. 2 pp. 7 x 4½ inches‚ in good condition. 20 Clifton Villas‚ Camden Square‚ 27 September 1866. Thomas Orlando Sheldon Jewitt (1799-869))‚ architectural wood-engraver. Before modern photographic processes‚ wood engraving was the standard method of book illustration. Orlando Jewitt's illustrations were widely used between 1820 and 1870. Many of his engravings are still used in modern works and are frequently to be found in reference works covering architecture‚ archaeology‚ typography and natural history. He produced numerous engravings used for seals and bookplates. Price : £65.00
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JOSEPH‚ George Francis. 11401
Autograph Letter Signed‚ to Mr. Young‚ declining election to the Society because “my profession calls me frequently from town”. 1 page 9 x 7 inches‚ with address leaf (remains of guard). Undated. George Francis Joseph (1764-1846)‚ portrait painter. Joseph entered the Royal Academy schools‚ initially as an engraver‚ in 1784. He sent his first contribution to the Royal Academy in 1788‚ and became a constant exhibitor of paintings both there and at the British Institution. Joseph was a prolific portrait painter; his portraits in both oil and miniature are very numerous‚ and he also produced designs for book illustrations. He practised in London until retiring in 1836.
Price : £35.00
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Autograph Letter Signed‚ to Mr. Young‚ declining election to the Society because “my profession calls me frequently from town”. 1 page 9 x 7 inches‚ with address leaf (remains of guard). Undated. George Francis Joseph (1764-1846)‚ portrait painter. Joseph entered the Royal Academy schools‚ initially as an engraver‚ in 1784. He sent his first contribution to the Royal Academy in 1788‚ and became a constant exhibitor of paintings both there and at the British Institution. Joseph was a prolific portrait painter; his portraits in both oil and miniature are very numerous‚ and he also produced designs for book illustrations. He practised in London until retiring in 1836. Price : £35.00
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KEENE Charles. 10499
Autograph Letter Signed ‘Charles S.Keene’ to ‘Dear Hunter’ agreeing to come on Saturday “I have had to re-arrange a prior engagement on purpose or should have answered before.” A good one page example 7 x 4½ inches integral blank leaf. 239 Kings Road Chelsea undated. Charles Samuel Keene (1823-1891) humorous artist.
Price : £65.00
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Autograph Letter Signed ‘Charles S.Keene’ to ‘Dear Hunter’ agreeing to come on Saturday “I have had to re-arrange a prior engagement on purpose or should have answered before.” A good one page example 7 x 4½ inches integral blank leaf. 239 Kings Road Chelsea undated. Charles Samuel Keene (1823-1891) humorous artist. Price : £65.00
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KNELLER‚ Sir Godfrey. 8638
Document Signed ‘G.Kneller’‚ being the receipt for £50 as three months’ annuity‚ assigned from revenues raised by Act of Parliament. Countersigned by J.P.Moreau as witness. 1 page partly printed‚ completed in manuscript‚ 10 x 7 inches‚ laid down‚ a few thins and stains‚ inlaid‚ generally of good appearance. 27 June 1716. Sir Godfrey Kneller (1646-1723)‚ portrait painter‚ studied at Amsterdam and Italy‚ came to London in 1676‚ and in 1680 was appointed court painter.
Price : £200.00
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Document Signed ‘G.Kneller’‚ being the receipt for £50 as three months’ annuity‚ assigned from revenues raised by Act of Parliament. Countersigned by J.P.Moreau as witness. 1 page partly printed‚ completed in manuscript‚ 10 x 7 inches‚ laid down‚ a few thins and stains‚ inlaid‚ generally of good appearance. 27 June 1716. Sir Godfrey Kneller (1646-1723)‚ portrait painter‚ studied at Amsterdam and Italy‚ came to London in 1676‚ and in 1680 was appointed court painter. Price : £200.00
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LANDSEER‚ Charles. 11049
Autograph Letter Signed‚ thanking his corespondent for “your very handsome present of the Sutherland Group” and offering to call in on his way to the Opera. 1 page 7 x 4½ inches‚ traces of mounting. 17 July‚ no year given. Charles Landseer (1799-1879)‚ historical painter‚ brother of Edwin Landseer. In 1851 he became Keeper of the Royal Academy.
Price : £30.00
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Autograph Letter Signed‚ thanking his corespondent for “your very handsome present of the Sutherland Group” and offering to call in on his way to the Opera. 1 page 7 x 4½ inches‚ traces of mounting. 17 July‚ no year given. Charles Landseer (1799-1879)‚ historical painter‚ brother of Edwin Landseer. In 1851 he became Keeper of the Royal Academy. Price : £30.00
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LANE‚ Richard James. 11107
Autograph Letter Signed‚ to G.D.Tomlinson in Cambridge‚ discussing the lithographs of famous paintings‚ particularly the Boy in Blue. 3½ pages 7 x 4½ inches‚ fine‚ with the original franked envelope. 19 Gloucester Terrace‚ Campden Hill‚ 20 August [1869]. Richard James Lane (1800 - 1872)‚ Victorian engraver and lithographer. The National Portrait Gallery has some 850 lithographs of his portraits and figure studies‚ done between 1825 and 1850.
Price : £45.00
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Autograph Letter Signed‚ to G.D.Tomlinson in Cambridge‚ discussing the lithographs of famous paintings‚ particularly the Boy in Blue. 3½ pages 7 x 4½ inches‚ fine‚ with the original franked envelope. 19 Gloucester Terrace‚ Campden Hill‚ 20 August [1869]. Richard James Lane (1800 - 1872)‚ Victorian engraver and lithographer. The National Portrait Gallery has some 850 lithographs of his portraits and figure studies‚ done between 1825 and 1850. Price : £45.00
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LANE‚ Richard James. 11437
Autograph Letter Signed‚ to Davies Gilbert in Eastbourne‚ stating that the price of two guineas for the drawing “is ample remuneration for the two hours which were occupied in its execution.” 1¼ pages 9 x 7 inches‚ integral address leaf (torn at seal opening)‚ neat title label affixed. From the Enys Collection. 24 South Bank‚ St. John’s Wood‚ 13 December 1834. Richard James Lane (1800 - 1872)‚ was a prolific Victorian engraver and lithographer. The National Portrait Gallery has some 850 lithographs of his portraits and figure studies‚ done between 1825 and 1850. Davies Gilbert (1767–1839)‚ scientific administrator and applied mathematician‚ who chaired numerous parliamentary committees‚ drafting and shepherding many items of legislation.
Price : £35.00
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Autograph Letter Signed‚ to Davies Gilbert in Eastbourne‚ stating that the price of two guineas for the drawing “is ample remuneration for the two hours which were occupied in its execution.” 1¼ pages 9 x 7 inches‚ integral address leaf (torn at seal opening)‚ neat title label affixed. From the Enys Collection. 24 South Bank‚ St. John’s Wood‚ 13 December 1834. Richard James Lane (1800 - 1872)‚ was a prolific Victorian engraver and lithographer. The National Portrait Gallery has some 850 lithographs of his portraits and figure studies‚ done between 1825 and 1850. Davies Gilbert (1767–1839)‚ scientific administrator and applied mathematician‚ who chaired numerous parliamentary committees‚ drafting and shepherding many items of legislation. Price : £35.00
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LE JEUNE‚ Henry. 6587
Autograph Letter Signed‚ to Mr.J.Shaw‚ discussing the dimensions of the painting he has commissioned‚ and the size of the principal figures. 3 pp. 7 x 4½ inches‚ in good condition. 27 Oakley Villas‚ Adelaide Road‚ 27 November 1857. Henry Le Jeune (1819-1904)‚ historical and genre painter. Le Jeune worked in both oil and watercolour. He exhibited eighty-four pictures at the Royal Academy between 1840 and 1894‚ and twenty-one at the British Institution between 1842 and 1863. Early in his career Le Jeune painted biblical themes‚ such as the Liberation of the Slaves (1847)‚ purchased by Prince Albert and now in the Royal Collection at Osborne House‚ as well as literary themes often drawn from Shakespeare (Prospero and Miranda‚ 1844) or Spenser (Una and the Lion‚ 1842). In the 1850s‚ however‚ he began to devote himself to genre scenes‚ especially depictions of children‚ and it is for these works that Le Jeune gained his greatest measure of fame. [DNB]
Price : £45.00
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Autograph Letter Signed‚ to Mr.J.Shaw‚ discussing the dimensions of the painting he has commissioned‚ and the size of the principal figures. 3 pp. 7 x 4½ inches‚ in good condition. 27 Oakley Villas‚ Adelaide Road‚ 27 November 1857. Henry Le Jeune (1819-1904)‚ historical and genre painter. Le Jeune worked in both oil and watercolour. He exhibited eighty-four pictures at the Royal Academy between 1840 and 1894‚ and twenty-one at the British Institution between 1842 and 1863. Early in his career Le Jeune painted biblical themes‚ such as the Liberation of the Slaves (1847)‚ purchased by Prince Albert and now in the Royal Collection at Osborne House‚ as well as literary themes often drawn from Shakespeare (Prospero and Miranda‚ 1844) or Spenser (Una and the Lion‚ 1842). In the 1850s‚ however‚ he began to devote himself to genre scenes‚ especially depictions of children‚ and it is for these works that Le Jeune gained his greatest measure of fame. [DNB] Price : £45.00
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LEADER‚ Benjamin Williams. 11056
Autograph Letter Signed‚ to Algernon Graves‚ explaining that he takes little interest in the British Institution and has no room for any more large books. 1 page 7 x 4½ inches‚ in good condition. Burrows Cross‚ Gomshall‚ Guildford‚ 25 November 1908. Benjamin Williams Leader (1831-1923)‚ artist.
Price : £30.00
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Autograph Letter Signed‚ to Algernon Graves‚ explaining that he takes little interest in the British Institution and has no room for any more large books. 1 page 7 x 4½ inches‚ in good condition. Burrows Cross‚ Gomshall‚ Guildford‚ 25 November 1908. Benjamin Williams Leader (1831-1923)‚ artist. Price : £30.00
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LEAHY‚ Edward Daniel. 7284
Autograph Letter Signed‚ to Nathaniel George Philips‚ recalling his kindness‚ and inviting him to “rally‚ my dear friend! and once more aim at rivalling our immortal Turner”‚ adding that he is considering spending the season in Liverpool “to execute a picture for the proffered prize and Exhibition”. 2 pp. 9 x 7½ inches‚ in good condition‚ very minor damage along one margin. 5 Haymarket‚ 15 June 1831. Edward Daniel Leahy (1797–1875)‚ painter‚ was born in London‚ the son of David Leahy of Dublin‚ afterwards of London (who was from a Cork family). He painted portraits of several prominent Irishmen. “Mr Lord tells me you have been painting. This looks encouraging. I encountered him the other night at the Opera‚ listening with great attention to the incomparable Pasta‚ who was followed by the graceful Taglione‚ it was a brilliant night.” Leahy’s correspondent is Nathaniel George Philips (b.1795) who died on 1 August 1831.
Price : £100.00
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Autograph Letter Signed‚ to Nathaniel George Philips‚ recalling his kindness‚ and inviting him to “rally‚ my dear friend! and once more aim at rivalling our immortal Turner”‚ adding that he is considering spending the season in Liverpool “to execute a picture for the proffered prize and Exhibition”. 2 pp. 9 x 7½ inches‚ in good condition‚ very minor damage along one margin. 5 Haymarket‚ 15 June 1831. Edward Daniel Leahy (1797–1875)‚ painter‚ was born in London‚ the son of David Leahy of Dublin‚ afterwards of London (who was from a Cork family). He painted portraits of several prominent Irishmen. “Mr Lord tells me you have been painting. This looks encouraging. I encountered him the other night at the Opera‚ listening with great attention to the incomparable Pasta‚ who was followed by the graceful Taglione‚ it was a brilliant night.” Leahy’s correspondent is Nathaniel George Philips (b.1795) who died on 1 August 1831. Price : £100.00
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LESLIE‚ Charles Robert. 11559
Autograph Letter Signed‚ to William Carpenter‚ discussing the printing and circulation of a testimonial for Carpenter‚ going through the replies already received‚ and saying that the Institution would benefit from Carpenter’s appointment. 3 pp. 7 x 4½ inches‚ fine. 12 Pine Apple Place‚ 13 February 1845. C.R.Leslie (1794-1859)‚ painter of American parentage‚ professor of painting at the Royal Academy (1848-52)‚ author of a Life of Constable.
Price : £45.00
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Autograph Letter Signed‚ to William Carpenter‚ discussing the printing and circulation of a testimonial for Carpenter‚ going through the replies already received‚ and saying that the Institution would benefit from Carpenter’s appointment. 3 pp. 7 x 4½ inches‚ fine. 12 Pine Apple Place‚ 13 February 1845. C.R.Leslie (1794-1859)‚ painter of American parentage‚ professor of painting at the Royal Academy (1848-52)‚ author of a Life of Constable. Price : £45.00
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MACLISE‚ Daniel. 11612
Autograph Letter Signed‚ saying that “The picture of ‘Hunt the Slipper’ has been sold. It was indeed painted as a Commission.” A good one page example‚ 6½ x 4½ inches‚ neatly inlaid. 4 Russell Place‚ undated. Daniel Maclise (1806-1870)‚ painter‚ famous for his historical works‚ The Meeting of Wellington and Blucher (1861) and The Death of Nelson (1861). The full title of the picture mentioned in this letter is Hunt the Slipper at Neighbour Flamborough's from "The Vicar of Wakefield"‚ 1761 by Oliver Goldsmith.
Price : £75.00
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Autograph Letter Signed‚ saying that “The picture of ‘Hunt the Slipper’ has been sold. It was indeed painted as a Commission.” A good one page example‚ 6½ x 4½ inches‚ neatly inlaid. 4 Russell Place‚ undated. Daniel Maclise (1806-1870)‚ painter‚ famous for his historical works‚ The Meeting of Wellington and Blucher (1861) and The Death of Nelson (1861). The full title of the picture mentioned in this letter is Hunt the Slipper at Neighbour Flamborough's from "The Vicar of Wakefield"‚ 1761 by Oliver Goldsmith. Price : £75.00
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MALTESTE‚ Louis. 7889
Autograph Letter Signed ‘Louis Malteste’‚ to Monsieur Christianson‚ discussing the completion of some drawings‚ explaining that he must first complete work for Le Monde Illustré. In French. 2 pp. 7 x 4½ inches‚ fine‚ traces of mounting. Undated. Louis Malteste (1862-1928). The illustrations of Louis Malteste have been featured on theatre posters‚ in crime novels and in adventure and travel magazines (La Côte d'Azur). He worked for satirical magazines like Le Rire‚ as well as La Caricature. He is best known for his erotic work.
Price : £45.00
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Autograph Letter Signed ‘Louis Malteste’‚ to Monsieur Christianson‚ discussing the completion of some drawings‚ explaining that he must first complete work for Le Monde Illustré. In French. 2 pp. 7 x 4½ inches‚ fine‚ traces of mounting. Undated. Louis Malteste (1862-1928). The illustrations of Louis Malteste have been featured on theatre posters‚ in crime novels and in adventure and travel magazines (La Côte d'Azur). He worked for satirical magazines like Le Rire‚ as well as La Caricature. He is best known for his erotic work. Price : £45.00
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McWHIRTER‚ John. 6850
Autograph Letter Signed‚ to Lady Lonsdale‚ asking her to attend a photographer at Baker Street “in the dress - hat - gloves tomorrow Friday morning at eleven punctually”. 1 page 7 x 4½ inches‚ pinhole‚ in good condition. 7 Pembridge Villas‚ Bayswater‚ 29 June 1881[?]. John MacWhirter [McWhirter] (1837–1911)‚ landscape painter. He published Landscape Painting in Water-Colour in 1900 and The MacWhirter Sketch Book in 1906. In 1913 Sketches from Nature was published posthumously.
Price : £35.00
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Autograph Letter Signed‚ to Lady Lonsdale‚ asking her to attend a photographer at Baker Street “in the dress - hat - gloves tomorrow Friday morning at eleven punctually”. 1 page 7 x 4½ inches‚ pinhole‚ in good condition. 7 Pembridge Villas‚ Bayswater‚ 29 June 1881[?]. John MacWhirter [McWhirter] (1837–1911)‚ landscape painter. He published Landscape Painting in Water-Colour in 1900 and The MacWhirter Sketch Book in 1906. In 1913 Sketches from Nature was published posthumously. Price : £35.00
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MEDLAND‚ Thomas. 0098
MEDLAND‚ Thomas. 98 Autograph Letter Signed‚ to W.B.Cooke‚ the engraver‚ agreeing to ‘send an aquatint plate done after a Cuyp in the possession of the Marquis of Stafford‚ the aquatic Fête at Dort’ as a contribution towards Cooke’s plan ‘for exhibiting properly the works of engravers’. 2 pp. 4to.‚ integral address leaf with black wax seal‚ tipped on to old album leaf. Fine. Hertford‚ 13 February 1826. Thomas Medland (d.1833)‚ the celebrated engraver and draughtsman‚ ends his letter ‘with sentiments of esteem for your public spirit‚ and with the sincerest good wishes for the success of your plan.’ Medland was chiefly employed on topographical plates‚ such as Farington’s Views of the Lakes‚ Sir G.Staunton’s Embassy of the Earl of Macartney to China (1797)‚ and the plates in Captain Gold’s Oriental Drawings (1806).
Price : £75.00
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MEDLAND‚ Thomas. 98 Autograph Letter Signed‚ to W.B.Cooke‚ the engraver‚ agreeing to ‘send an aquatint plate done after a Cuyp in the possession of the Marquis of Stafford‚ the aquatic Fête at Dort’ as a contribution towards Cooke’s plan ‘for exhibiting properly the works of engravers’. 2 pp. 4to.‚ integral address leaf with black wax seal‚ tipped on to old album leaf. Fine. Hertford‚ 13 February 1826. Thomas Medland (d.1833)‚ the celebrated engraver and draughtsman‚ ends his letter ‘with sentiments of esteem for your public spirit‚ and with the sincerest good wishes for the success of your plan.’ Medland was chiefly employed on topographical plates‚ such as Farington’s Views of the Lakes‚ Sir G.Staunton’s Embassy of the Earl of Macartney to China (1797)‚ and the plates in Captain Gold’s Oriental Drawings (1806). Price : £75.00
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MEISSONIER‚ Ernest. 11094
Autograph Letter Signed ‘E.Meissonier’‚ about receiving a painting from the English ambassador. In French. 1 page 7 x 4½ inches‚ engraved monogram upper left. Collector’s brief annotation in ballpoint on verso. 131 Boulevard Malesherbes‚ undated. Jean-Louis Ernest Meissonier (1815-1891)‚ French Classicist painter and sculptor famous for his depictions of Napoleon‚ his armies and military themes. He taught Édouard Detaille.
Price : £150.00
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Autograph Letter Signed ‘E.Meissonier’‚ about receiving a painting from the English ambassador. In French. 1 page 7 x 4½ inches‚ engraved monogram upper left. Collector’s brief annotation in ballpoint on verso. 131 Boulevard Malesherbes‚ undated. Jean-Louis Ernest Meissonier (1815-1891)‚ French Classicist painter and sculptor famous for his depictions of Napoleon‚ his armies and military themes. He taught Édouard Detaille. Price : £150.00
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MEISSONIER‚ Jean-Charles. 5612
Letter Signed ‘Charles Meissonier’‚ to Baring Brothers in London‚ sending condolences on the death of Thomas Baring. 1 page 10½ x 8 inches‚ integral blank leaf. Paris‚ 29 November 1873. Jean-Charles Meissonier (1848-1917)‚ painter‚ son and pupil of Jean-Louis-Ernest Meissonier (1815-1891).
Price : £35.00
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Letter Signed ‘Charles Meissonier’‚ to Baring Brothers in London‚ sending condolences on the death of Thomas Baring. 1 page 10½ x 8 inches‚ integral blank leaf. Paris‚ 29 November 1873. Jean-Charles Meissonier (1848-1917)‚ painter‚ son and pupil of Jean-Louis-Ernest Meissonier (1815-1891). Price : £35.00
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MILLAIS‚ Sir John Everett. 10100
Autograph Letter Signed ‘John Everett Millais’‚ to Mr. Collins‚ about the visit of Princess Louise to the Fine Art Society. 1 page 7 x 4½ inches‚ in good condition. 2 Palace Gate‚ Kensington‚ 14 April 1881. Sir John Everett Millais (1829-96)‚ painter. “I have just heard that not Mr. Jopling‚ but Mr Huish‚ the manager of the Fine Art Society will have the honour of receiving Princess Louise.”
Price : £120.00
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Autograph Letter Signed ‘John Everett Millais’‚ to Mr. Collins‚ about the visit of Princess Louise to the Fine Art Society. 1 page 7 x 4½ inches‚ in good condition. 2 Palace Gate‚ Kensington‚ 14 April 1881. Sir John Everett Millais (1829-96)‚ painter. “I have just heard that not Mr. Jopling‚ but Mr Huish‚ the manager of the Fine Art Society will have the honour of receiving Princess Louise.” Price : £120.00
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MILLAIS‚ Sir John Everett. 10554
Autograph Letter Signed ‘J.E.Millais’‚ to Mrs. De Salis‚ saying that his wife will be delighted to see her‚ and Millais is replying on her behalf because she “has gone to Marochetti’s”. 1 page 7 x 4¼ inches‚ fold marks‚ light trace of mounting on verso. Undated. Sir John Everett Millais (1829-96)‚ painter.
Price : £100.00
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Autograph Letter Signed ‘J.E.Millais’‚ to Mrs. De Salis‚ saying that his wife will be delighted to see her‚ and Millais is replying on her behalf because she “has gone to Marochetti’s”. 1 page 7 x 4¼ inches‚ fold marks‚ light trace of mounting on verso. Undated. Sir John Everett Millais (1829-96)‚ painter. Price : £100.00
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MILLAIS‚ Sir John Everett. 11573
Autograph Letter Signed‚ to ‘Dear Cope’‚ hoping that Cope and Boyle can come to dinner to meet Mr. Hare‚ asking for a note (not present) to be forwarded‚ expecting that “some arrangement may then be made as to the work in contemplation”. 1 page 7 x 4½ inches‚ minor blemishes‚ two paper clip marks. 2 Palace Gate‚ Kensington‚ 28 July 1889. Sir John Everett Millais (1829-96)‚ painter.
Price : £65.00
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Autograph Letter Signed‚ to ‘Dear Cope’‚ hoping that Cope and Boyle can come to dinner to meet Mr. Hare‚ asking for a note (not present) to be forwarded‚ expecting that “some arrangement may then be made as to the work in contemplation”. 1 page 7 x 4½ inches‚ minor blemishes‚ two paper clip marks. 2 Palace Gate‚ Kensington‚ 28 July 1889. Sir John Everett Millais (1829-96)‚ painter. Price : £65.00
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MILLAIS‚ Sir John Everett. 11574
Autograph Letter Signed‚ to Miss Bennett‚ saying he would be delighted if she “can obtain a nomination for my boy Geoffrey William Millais”‚ and providing his son’s date of birth. 2 pp. 7 x 4½ inches‚ one paperclip mark‚ otherwise good. 7 Cromwell Place‚ South Kensington‚ 10 February 1876. Sir John Everett Millais (1829-96)‚ painter.
Price : £65.00
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Autograph Letter Signed‚ to Miss Bennett‚ saying he would be delighted if she “can obtain a nomination for my boy Geoffrey William Millais”‚ and providing his son’s date of birth. 2 pp. 7 x 4½ inches‚ one paperclip mark‚ otherwise good. 7 Cromwell Place‚ South Kensington‚ 10 February 1876. Sir John Everett Millais (1829-96)‚ painter. Price : £65.00
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MILLAIS‚ Sir John Everett. 7268
Autograph Letter Signed‚ explaining that “I have taken a Shooting with a friend‚ part of the Drummond Castle Shooting” and “can not fulfil my promise of yr picture at present...” 3 pp. 7 x 4½ inches‚ a few small traces of mounting‚ in good condition. 2 August [watermark 1865]. Sir John Everett Millais (1829-96)‚ painter.
Price : £120.00
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Autograph Letter Signed‚ explaining that “I have taken a Shooting with a friend‚ part of the Drummond Castle Shooting” and “can not fulfil my promise of yr picture at present...” 3 pp. 7 x 4½ inches‚ a few small traces of mounting‚ in good condition. 2 August [watermark 1865]. Sir John Everett Millais (1829-96)‚ painter. Price : £120.00
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MONTALBA‚ Clara. 2690
Autograph Letter Signed‚ to Mrs.Empson‚ discussing the various exhibitions due to host the Montalba sisters’ works‚ and inviting Mrs.Empson and her friends to visit the studio. 2 pp. 7 x 4.5 inches. 20 Stanley Crescent W [London]‚ 2 March 1888. Clara Montalba (1842-1929)‚ painter.
Price : £45.00
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Autograph Letter Signed‚ to Mrs.Empson‚ discussing the various exhibitions due to host the Montalba sisters’ works‚ and inviting Mrs.Empson and her friends to visit the studio. 2 pp. 7 x 4.5 inches. 20 Stanley Crescent W [London]‚ 2 March 1888. Clara Montalba (1842-1929)‚ painter. Price : £45.00
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MONTALBA‚ Henrietta. 2167
Autograph Letter Signed‚ to Mrs.Empson‚ inviting her and other friends to come and see ‘our pictures’ at the studio. 1 page 6 x 4 inches‚ minor blemishes‚ traces of mounting. Studio‚ Campden House Road Mews‚ undated. Henrietta Montalba (d.1893)‚ painter‚ sister of Clara and Hilda Montalba‚ also painters.
Price : £45.00
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Autograph Letter Signed‚ to Mrs.Empson‚ inviting her and other friends to come and see ‘our pictures’ at the studio. 1 page 6 x 4 inches‚ minor blemishes‚ traces of mounting. Studio‚ Campden House Road Mews‚ undated. Henrietta Montalba (d.1893)‚ painter‚ sister of Clara and Hilda Montalba‚ also painters. Price : £45.00
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MUTRIE‚ Annie Feray. 6699
Autograph Note Signed ‘Annie F.Mutrie’‚ inviting Miss Fanny and her sister for a quiet evening. 1 page 5 x 4 inches‚ upper margin trimmed (no address or date)‚ traces of mounting. Undated. Annie Feray Mutrie (1826–1893)‚ still-life painter.
Price : £35.00
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Autograph Note Signed ‘Annie F.Mutrie’‚ inviting Miss Fanny and her sister for a quiet evening. 1 page 5 x 4 inches‚ upper margin trimmed (no address or date)‚ traces of mounting. Undated. Annie Feray Mutrie (1826–1893)‚ still-life painter. Price : £35.00
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NASH‚ Joseph. 4569
Autograph Letter Signed‚ to Henry Graves‚ the print seller of Pall Mall‚ asking for the settlement of a bill and for the return of “the board on which the Milton drawing is mounted - it is an old and faithful servant of mine...” 1 page 9 x 7 inches‚ integral address leaf‚ remains of guard‚ in good condition. Margate‚ 25 July 1843. Joseph Nash (1809-1878)‚ watercolour painter and lithographer.
Price : £35.00
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Autograph Letter Signed‚ to Henry Graves‚ the print seller of Pall Mall‚ asking for the settlement of a bill and for the return of “the board on which the Milton drawing is mounted - it is an old and faithful servant of mine...” 1 page 9 x 7 inches‚ integral address leaf‚ remains of guard‚ in good condition. Margate‚ 25 July 1843. Joseph Nash (1809-1878)‚ watercolour painter and lithographer. Price : £35.00
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NORTH‚ Marianne. 11603
Autograph Letter Signed ‘Marianne North’‚ thanking her correspondent for the seed of R.Lyalli [lilies]‚ some of which have been sent on to Miss Jekyll‚ referring to her garden and the progress of her plants. 3 pp. 7 x 4½ inches‚ fine. Mount House‚ Alderley‚ Wotton under Edge‚ 6 August 1889. A good letter by Marianne North (1830-1890)‚ flower painter. “... my gardener seldom does much himself‚ his subs have more good intention than discretion - & it is very tantalising to see the zeal they plunge big forks into bulbs & Iris roots - & not to be able to stop them‚ but in spite of that many interesting plants still survive... ...I have never managed to grow the Giganteum Lily...”
Price : £150.00
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Autograph Letter Signed ‘Marianne North’‚ thanking her correspondent for the seed of R.Lyalli [lilies]‚ some of which have been sent on to Miss Jekyll‚ referring to her garden and the progress of her plants. 3 pp. 7 x 4½ inches‚ fine. Mount House‚ Alderley‚ Wotton under Edge‚ 6 August 1889. A good letter by Marianne North (1830-1890)‚ flower painter. “... my gardener seldom does much himself‚ his subs have more good intention than discretion - & it is very tantalising to see the zeal they plunge big forks into bulbs & Iris roots - & not to be able to stop them‚ but in spite of that many interesting plants still survive... ...I have never managed to grow the Giganteum Lily...” Price : £150.00
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OLIVER Emma Sophie. 10434
A series of four Autograph Letters Signed and an autograph note about entering her pictures for exhibition at the Crystal Palace the British Institution and at Antwerp the removal of unsold pictures and difficulties with labelling cases for the pictures and similar matters. 6½ pages 4 letters and a note 7 x 4½ inches tipped on to part of an old album leaf. In good condition. Watford and Brompton 1854-1856. Emma Sophia Oliver (née Eburne) (1819-1885) landscape painter; wife of William Oliver.
Price : £50.00
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A series of four Autograph Letters Signed and an autograph note about entering her pictures for exhibition at the Crystal Palace the British Institution and at Antwerp the removal of unsold pictures and difficulties with labelling cases for the pictures and similar matters. 6½ pages 4 letters and a note 7 x 4½ inches tipped on to part of an old album leaf. In good condition. Watford and Brompton 1854-1856. Emma Sophia Oliver (née Eburne) (1819-1885) landscape painter; wife of William Oliver. Price : £50.00
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PATON‚ Sir Joseph Noel. 11576
Autograph Letter Signed‚ to George Harvey‚ Regents Terrace‚ wishing his family a happy Christmas‚ regretting that a cold prevents him from attending their dinner‚ being “determined to obey the dictates of Prudence‚ and stay at home.” 3 pp. 7 x 4½ inches‚ a few minor stains‚ generally in good condition. Christmas‚ 1858. Sir Joseph Noel Paton (1821-1901)‚ Scottish artist. He painted in the Pre-Raphaelite style and became a painter of historical‚ fairy‚ allegorical and religious subjects. He receives a mention in Evelyn Waugh's Sword of Honour trilogy. In the 'Happy Warriors' chapter‚ Ivor Claire visits Cape Town Art Gallery and sees 'two remarkable Noel Patons'.
Price : £30.00
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Autograph Letter Signed‚ to George Harvey‚ Regents Terrace‚ wishing his family a happy Christmas‚ regretting that a cold prevents him from attending their dinner‚ being “determined to obey the dictates of Prudence‚ and stay at home.” 3 pp. 7 x 4½ inches‚ a few minor stains‚ generally in good condition. Christmas‚ 1858. Sir Joseph Noel Paton (1821-1901)‚ Scottish artist. He painted in the Pre-Raphaelite style and became a painter of historical‚ fairy‚ allegorical and religious subjects. He receives a mention in Evelyn Waugh's Sword of Honour trilogy. In the 'Happy Warriors' chapter‚ Ivor Claire visits Cape Town Art Gallery and sees 'two remarkable Noel Patons'. Price : £30.00
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PETIT‚ John Louis. 11383
Autograph Letter Signed‚ discussing his Romsey drawings‚ explaining that some are required for publication‚ but agreeing to provide one drawing to suit his correspondent’s purpose. 4 pp. 7 x 4½ inches‚ some light toning‚ generally good. Hambleton Hotel‚ Thirsk‚ 8 June 1845. John Louis Petit (1801-1868)‚ artist known for his architectural subjects and publications. “The figure is from a sketch I made merely by the eye without any measurement; I should think an artist used to such subjects might easily put it into good drawing & preserve the character of the period.”
Price : £75.00
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Autograph Letter Signed‚ discussing his Romsey drawings‚ explaining that some are required for publication‚ but agreeing to provide one drawing to suit his correspondent’s purpose. 4 pp. 7 x 4½ inches‚ some light toning‚ generally good. Hambleton Hotel‚ Thirsk‚ 8 June 1845. John Louis Petit (1801-1868)‚ artist known for his architectural subjects and publications. “The figure is from a sketch I made merely by the eye without any measurement; I should think an artist used to such subjects might easily put it into good drawing & preserve the character of the period.” Price : £75.00
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POWELL‚ Francis. 11103
Illustrated Autograph Letter Signed‚ to Walter Buckler Lethbridge‚ thanking him for the sherry‚ and referring to the fine weather‚ “too fine for the Gardens which are getting dried up”‚ incorporating an ink sketch of a table at the end of a meal‚ with the caption “Dried up”. 2 pp. 9 x 7 inches‚ folded‚ in good condition. 18 June 1889. Sir Francis Powell (1833-1914)‚ watercolour painter. In 1877 he won the Haywood prize for the best watercolour exhibited in Manchester. When he was living in Glasgow in 1878 he became one of the founders of the Royal Scottish Society of Watercolour Painters. He was its first President. Works include Ben Nevis from Locheil‚ The Channel tug‚ Loch Corruisk‚ and The north of Arran. His work is displayed in the Victoria and Albert‚ in Dundee and Glasgow‚ in Manchester‚ and in Portsmouth. Powell was knighted in 1893.
Price : £100.00
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Illustrated Autograph Letter Signed‚ to Walter Buckler Lethbridge‚ thanking him for the sherry‚ and referring to the fine weather‚ “too fine for the Gardens which are getting dried up”‚ incorporating an ink sketch of a table at the end of a meal‚ with the caption “Dried up”. 2 pp. 9 x 7 inches‚ folded‚ in good condition. 18 June 1889. Sir Francis Powell (1833-1914)‚ watercolour painter. In 1877 he won the Haywood prize for the best watercolour exhibited in Manchester. When he was living in Glasgow in 1878 he became one of the founders of the Royal Scottish Society of Watercolour Painters. He was its first President. Works include Ben Nevis from Locheil‚ The Channel tug‚ Loch Corruisk‚ and The north of Arran. His work is displayed in the Victoria and Albert‚ in Dundee and Glasgow‚ in Manchester‚ and in Portsmouth. Powell was knighted in 1893. Price : £100.00
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PRINSEP‚ Valentine. 11413
Autograph Letter Signed‚ to the Hon. Sir Spencer Ponsonby Fane‚ about a commission “from the loyal people of Guernsey” to copy a portrait of the Queen by Von Angeli at Windsor. 2 pp. 7 x 4½ inches‚ in good condition. 1 Holland Park Road‚ 17 February 1887. Valentine Cameron Prinsep (1838–1904)‚ artist and writer. He wrote a lively account of his Indian travels‚ ‘Imperial India: an Artist's Journals’ (1879). Later Prinsep wrote two novels: Virginie: a Tale of one Hundred Years Ago (1890) and The Story of Abibal the Tsourian (1893). “Will you kindly give me permission to penetrate the sacred precincts of the Castle to inspect the picture? Your department I know are all powerful in such matters...”
Price : £65.00
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Autograph Letter Signed‚ to the Hon. Sir Spencer Ponsonby Fane‚ about a commission “from the loyal people of Guernsey” to copy a portrait of the Queen by Von Angeli at Windsor. 2 pp. 7 x 4½ inches‚ in good condition. 1 Holland Park Road‚ 17 February 1887. Valentine Cameron Prinsep (1838–1904)‚ artist and writer. He wrote a lively account of his Indian travels‚ ‘Imperial India: an Artist's Journals’ (1879). Later Prinsep wrote two novels: Virginie: a Tale of one Hundred Years Ago (1890) and The Story of Abibal the Tsourian (1893). “Will you kindly give me permission to penetrate the sacred precincts of the Castle to inspect the picture? Your department I know are all powerful in such matters...” Price : £65.00
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PROUT‚ Samuel. 11052
Autograph Letter Signed ‘S.Prout’‚ returning an album (which apparently he has inscribed with two “shabby” drawings)‚ explaining how busy he has been with the approaching exhibition‚ holidays in Kent and Surrey‚ ill health‚ and so on. 3 pp. in good condition‚ one or two minor stains only. 5 De Crespigny Terrace‚ Denmark Hill [1848]. Samuel Prout (1783-1852)‚ water colour painter. “I have endeavoured to ease my conscience by two efforts‚ as you will find‚ but fear two shabby ones will not make one tidy. Wishing the begging book better friends and better success than at the beginnng of its career‚ Believe me‚ Dear Sir‚ most truly yours‚ S.Prout.”
Price : £100.00
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Autograph Letter Signed ‘S.Prout’‚ returning an album (which apparently he has inscribed with two “shabby” drawings)‚ explaining how busy he has been with the approaching exhibition‚ holidays in Kent and Surrey‚ ill health‚ and so on. 3 pp. in good condition‚ one or two minor stains only. 5 De Crespigny Terrace‚ Denmark Hill [1848]. Samuel Prout (1783-1852)‚ water colour painter. “I have endeavoured to ease my conscience by two efforts‚ as you will find‚ but fear two shabby ones will not make one tidy. Wishing the begging book better friends and better success than at the beginnng of its career‚ Believe me‚ Dear Sir‚ most truly yours‚ S.Prout.” Price : £100.00
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PYE‚ John. 11558
Autograph Letter Signed‚ to Alaric Watts‚ agreeing to engrave a plate for him. 1 page 8 x 5 inches‚ with the integral address leaf‚ mounted on an old album page‚ in good condition. 42 Cirencester Place‚ Fitzroy Square‚ 15 October 1831. John Pye (1782-1874)‚ landscape engraver.
Price : £65.00
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Autograph Letter Signed‚ to Alaric Watts‚ agreeing to engrave a plate for him. 1 page 8 x 5 inches‚ with the integral address leaf‚ mounted on an old album page‚ in good condition. 42 Cirencester Place‚ Fitzroy Square‚ 15 October 1831. John Pye (1782-1874)‚ landscape engraver. Price : £65.00
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REID‚ Sir George. 10649
Autograph Letter Signed‚ addressed ‘My dear Sir’‚ making an appointment “to make a fresh study of tone for the portraits of Mrs Duguid and master Tom”‚ confirming the clothes each subject will wear‚ adding that “the afternoon light will be the most suitable for my purpose”. A good one page example 6 x 4 inches. 84 King Street‚ Aberdeen‚ 25 August 1869. A good early letter by Sir George Reid (1841-1913)‚ Scottish artist.
Price : £45.00
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Autograph Letter Signed‚ addressed ‘My dear Sir’‚ making an appointment “to make a fresh study of tone for the portraits of Mrs Duguid and master Tom”‚ confirming the clothes each subject will wear‚ adding that “the afternoon light will be the most suitable for my purpose”. A good one page example 6 x 4 inches. 84 King Street‚ Aberdeen‚ 25 August 1869. A good early letter by Sir George Reid (1841-1913)‚ Scottish artist. Price : £45.00
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RICHARDS‚ Frank. 9400
Autograph Letter Signed ‘Frank Richards’‚ to Warrington Hogg in Bournemouth‚ written in mock medieval calligraphy and with an illustration and seal‚ about his invitation. 1 page 9 x 7 inches‚ in black and purple inks‚ with the original envelope. Postmarked Christchurch‚ 5 November 1891. Frank Richards (1863-1935)‚ oil painter and watercolourist of Newlyn‚ Cornwall.
Price : £100.00
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Autograph Letter Signed ‘Frank Richards’‚ to Warrington Hogg in Bournemouth‚ written in mock medieval calligraphy and with an illustration and seal‚ about his invitation. 1 page 9 x 7 inches‚ in black and purple inks‚ with the original envelope. Postmarked Christchurch‚ 5 November 1891. Frank Richards (1863-1935)‚ oil painter and watercolourist of Newlyn‚ Cornwall. Price : £100.00
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RICHMOND‚ George. 7639
Autograph Letter Signed‚ to Thomas Woolner‚ about “the sketch of Mr.Godley”. 1 page 7 x 4½ inches‚ in good condition. 10 York Street‚ 22 August 1867. George Richmond (1809–1896)‚ portrait painter.
Price : £35.00
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Autograph Letter Signed‚ to Thomas Woolner‚ about “the sketch of Mr.Godley”. 1 page 7 x 4½ inches‚ in good condition. 10 York Street‚ 22 August 1867. George Richmond (1809–1896)‚ portrait painter. Price : £35.00
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RICHMOND‚ Sir William Blake. 3422
Autograph Letter Signed‚ addressed ‘Dear Archdeacon’ [Archdeacon Watkins]‚ sending an ultimatum about a proposed copy of one of his portraits: ‘You may tell the important people who desire lawn sleeves that my portrait of the Bishop was designed to remain as it is.’ 1 page 7 x 4.5 inches‚ in good condition. Beavor Lodge‚ Hammersmith‚ undated. Sir William Blake Richmond (1843-1921)‚ English portrait and mythological painter.
Price : £45.00
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Autograph Letter Signed‚ addressed ‘Dear Archdeacon’ [Archdeacon Watkins]‚ sending an ultimatum about a proposed copy of one of his portraits: ‘You may tell the important people who desire lawn sleeves that my portrait of the Bishop was designed to remain as it is.’ 1 page 7 x 4.5 inches‚ in good condition. Beavor Lodge‚ Hammersmith‚ undated. Sir William Blake Richmond (1843-1921)‚ English portrait and mythological painter. Price : £45.00
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ROSS‚ William Charles. 11280
Autograph Letter Signed‚ to his sister-in-law Anne in Shrewsbury‚ commiserating with her in her illness‚ and mentioning that he is “making a large drawing for the Government. The subject is taken from Milton’s Paradise Lost‚ Gabriel the Angel discoursing with Adam and Eve about the Creation...” 2 pp. 9 x 7 inches‚ folds‚ integral address leaf 5 May 1843. Sir William Charles Ross (1794-1860)‚ miniature painter‚ and appointed ‘Miniature Painter’ by Queen Victoria. By the time that photography was in the ascendant he was nearing the end of his career. In this letter Ross is referring to the Westminster Hall competition of 1843‚ which Ross won with his Milton cartoon‚ leading to an award of an extra £100.
Price : £85.00
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Autograph Letter Signed‚ to his sister-in-law Anne in Shrewsbury‚ commiserating with her in her illness‚ and mentioning that he is “making a large drawing for the Government. The subject is taken from Milton’s Paradise Lost‚ Gabriel the Angel discoursing with Adam and Eve about the Creation...” 2 pp. 9 x 7 inches‚ folds‚ integral address leaf 5 May 1843. Sir William Charles Ross (1794-1860)‚ miniature painter‚ and appointed ‘Miniature Painter’ by Queen Victoria. By the time that photography was in the ascendant he was nearing the end of his career. In this letter Ross is referring to the Westminster Hall competition of 1843‚ which Ross won with his Milton cartoon‚ leading to an award of an extra £100. Price : £85.00
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ROWBOTHAM‚ Thomas L. 11109
Autograph Letter Signed‚ to G.D.Tomlinson‚ setting out his terms for “instruction in Water Colors”‚ explaining that he is soon to set out on a sketching tour. 2 pp. 7 x 4½ inches‚ in good condition. 6 Ladbroke Road‚ Notting Hill‚ 15 May 1854. Thomas Charles Leeson Rowbotham (1823-1875)‚ Irish watercolour landscape and marine artist and lithographer.
Price : £45.00
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Autograph Letter Signed‚ to G.D.Tomlinson‚ setting out his terms for “instruction in Water Colors”‚ explaining that he is soon to set out on a sketching tour. 2 pp. 7 x 4½ inches‚ in good condition. 6 Ladbroke Road‚ Notting Hill‚ 15 May 1854. Thomas Charles Leeson Rowbotham (1823-1875)‚ Irish watercolour landscape and marine artist and lithographer. Price : £45.00
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SCHEFFER‚ Ari. 11009
Autograph Letter Signed‚ asking his correspondent to promise to give one of his recent works to two ladies named in this letter. In French. 8½ x 7 inches‚ small blank piece torn from upper edge‚ otherwise in good condition. Paris‚ 4 April‚ no year given. Ari Scheffer (1795-1858)‚ Dutch-French painter.
Price : £85.00
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Autograph Letter Signed‚ asking his correspondent to promise to give one of his recent works to two ladies named in this letter. In French. 8½ x 7 inches‚ small blank piece torn from upper edge‚ otherwise in good condition. Paris‚ 4 April‚ no year given. Ari Scheffer (1795-1858)‚ Dutch-French painter. Price : £85.00
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SCHWIND‚ Moritz von. 11235
Autograph Letter Signed‚ to his friend‚ Ludwig Schaller in Munich. Together with a carte de visite portrait of Schwind‚ an autograph letter signed by his wife (1873)‚ and a printed notice of Schwind’s death. In German‚ with partial transcript. 1 page 10 x 8 inches‚ spotted‚ with occasional paper defects‚ address panel. Karlsruhe‚ 6 July 1843. Moritz von Schwind (1804-1871)‚ Austrian painter.
Price : £150.00
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Autograph Letter Signed‚ to his friend‚ Ludwig Schaller in Munich. Together with a carte de visite portrait of Schwind‚ an autograph letter signed by his wife (1873)‚ and a printed notice of Schwind’s death. In German‚ with partial transcript. 1 page 10 x 8 inches‚ spotted‚ with occasional paper defects‚ address panel. Karlsruhe‚ 6 July 1843. Moritz von Schwind (1804-1871)‚ Austrian painter. Price : £150.00
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SCROPE‚ William. 6680
Two Autograph Letters Signed‚ to ‘My dear Sir’ [R.M.Martin (1803-68)‚ author of China‚ Political‚ Commercial and Social (1847)]‚ thanking him for the Opium Pamphlet‚ looking forward to his book on China‚ and inviting him to dine. 2 letters‚ 3 pp. 7 x 4½ inches‚ in good condition. 13 Belgrave Square‚ 13 March & undated [probably 1847]. William Scrope (1772-1852)‚ artist and sportsman‚ author of The Art of Deer-Stalking and Days and Nights of Salmon Fishing in The Tweed. “Please be so good as to bring your Opium Eaters‚ Smokers‚ &c with you - I mean the Drawings - for you will meet Dr.Holland‚ D’Israeli‚ Lord Heytesbury‚ &c.”
Price : £100.00
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Two Autograph Letters Signed‚ to ‘My dear Sir’ [R.M.Martin (1803-68)‚ author of China‚ Political‚ Commercial and Social (1847)]‚ thanking him for the Opium Pamphlet‚ looking forward to his book on China‚ and inviting him to dine. 2 letters‚ 3 pp. 7 x 4½ inches‚ in good condition. 13 Belgrave Square‚ 13 March & undated [probably 1847]. William Scrope (1772-1852)‚ artist and sportsman‚ author of The Art of Deer-Stalking and Days and Nights of Salmon Fishing in The Tweed. “Please be so good as to bring your Opium Eaters‚ Smokers‚ &c with you - I mean the Drawings - for you will meet Dr.Holland‚ D’Israeli‚ Lord Heytesbury‚ &c.” Price : £100.00
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SEGONZAC‚ André Dunoyer de. 11284
A series of 10 Autograph Postcards Signed‚ to Jean-Robert Delahaut‚ Redacteur en chef de ‘Terre d’Europe’ in Brussels‚ exchanging greetings for the New Year‚ mentioning artists and their work‚ etc. In French. Written on 13 picture postcards (of works of art) and 1 correspondence card‚ with original envelopes. Paris‚ Saint Tropez‚ Versailles‚ etc.‚ 1964-1974. André Dunoyer de Segonzac (1884-1974)‚ French artist.
Price : £450.00
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A series of 10 Autograph Postcards Signed‚ to Jean-Robert Delahaut‚ Redacteur en chef de ‘Terre d’Europe’ in Brussels‚ exchanging greetings for the New Year‚ mentioning artists and their work‚ etc. In French. Written on 13 picture postcards (of works of art) and 1 correspondence card‚ with original envelopes. Paris‚ Saint Tropez‚ Versailles‚ etc.‚ 1964-1974. André Dunoyer de Segonzac (1884-1974)‚ French artist. Price : £450.00
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SHANNON‚ Sir James Jebusa. 6890
Autograph Letter Signed‚ to Mr.Hooper‚ acknowledging his note and cheque‚ regretting that “you don’t like the dark background”‚ which Shannon will alter‚ though he thinks “the light made the legs stand out too much”. 2½ pages 6 x 4 inches‚ traces of mounting. Manresa Road‚ 29 January 1888. Sir James Jebusa Shannon (1862-1923)‚ American painter.
Price : £45.00
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Autograph Letter Signed‚ to Mr.Hooper‚ acknowledging his note and cheque‚ regretting that “you don’t like the dark background”‚ which Shannon will alter‚ though he thinks “the light made the legs stand out too much”. 2½ pages 6 x 4 inches‚ traces of mounting. Manresa Road‚ 29 January 1888. Sir James Jebusa Shannon (1862-1923)‚ American painter. Price : £45.00
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SHARP‚ William. 3203
Autograph Letter Signed‚ to W.H.Pepys‚ Cutler‚ at Poultry‚ complaining about the unnecessary expense of looking after Pepys’ son as an apprentice‚ and giving early notice of sending the boy home. 2 pp. 8 x 6.5 inches‚ loss of a few words at seal opening‚ integral address leaf‚ in good condition. Together with an engraved portrait [1824] of William Sharp‚ 8 x 5.5 inches‚ tipped on to album leaf. Charles Streeet‚ 11 February 1798. William Sharp (1749-1824)‚ engraver‚ in youth a friend of Thomas Paine and Horne Tooke‚ and in later years an adherent of Joanna Southcott. He engraved some of the illustrations for Captain Cook’s Voyages. This letter has the practical aim of dislodging Edward Pepys. ‘I was also at the expence of a piece of Furniture for Him that He should be accommodated at a different part of my House that your Son should not be affected with the conversation & Ways of young Men I had in my House at that time.’
Price : £120.00
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Autograph Letter Signed‚ to W.H.Pepys‚ Cutler‚ at Poultry‚ complaining about the unnecessary expense of looking after Pepys’ son as an apprentice‚ and giving early notice of sending the boy home. 2 pp. 8 x 6.5 inches‚ loss of a few words at seal opening‚ integral address leaf‚ in good condition. Together with an engraved portrait [1824] of William Sharp‚ 8 x 5.5 inches‚ tipped on to album leaf. Charles Streeet‚ 11 February 1798. William Sharp (1749-1824)‚ engraver‚ in youth a friend of Thomas Paine and Horne Tooke‚ and in later years an adherent of Joanna Southcott. He engraved some of the illustrations for Captain Cook’s Voyages. This letter has the practical aim of dislodging Edward Pepys. ‘I was also at the expence of a piece of Furniture for Him that He should be accommodated at a different part of my House that your Son should not be affected with the conversation & Ways of young Men I had in my House at that time.’ Price : £120.00
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SHEE‚ Sir Martin Archer. 11282
Autograph Letter Signed‚ to J.C.Hall‚ thanking him for “the Copy of your Beautiful Publication”‚ and allowing himself to comment that “my little Bacchus does not‚ I hope‚ disgrace your page”. 3 pp. 7 x 4½ inches‚ in good condition‚ with a separate litho portrait of Shee (with facsimile signature beneath). Cavendish Square‚ 6 November 1835. Sir Martin Archer Shee (1769–1850)‚ Irish portrait painter and writer‚ “a tireless politician within the Royal Academy” [DNB]. He was the author of Rhymes on Art; or‚ the Remonstrance of a Painter. “Your gems are indeed brilliant; and I trust they will be so firmly set in public estimation as amply to repay the skill & taste with which they have been drawn from the mine of our Ancient Literature‚ and prepared for general admiration.”
Price : £75.00
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Autograph Letter Signed‚ to J.C.Hall‚ thanking him for “the Copy of your Beautiful Publication”‚ and allowing himself to comment that “my little Bacchus does not‚ I hope‚ disgrace your page”. 3 pp. 7 x 4½ inches‚ in good condition‚ with a separate litho portrait of Shee (with facsimile signature beneath). Cavendish Square‚ 6 November 1835. Sir Martin Archer Shee (1769–1850)‚ Irish portrait painter and writer‚ “a tireless politician within the Royal Academy” [DNB]. He was the author of Rhymes on Art; or‚ the Remonstrance of a Painter. “Your gems are indeed brilliant; and I trust they will be so firmly set in public estimation as amply to repay the skill & taste with which they have been drawn from the mine of our Ancient Literature‚ and prepared for general admiration.” Price : £75.00
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SHIELDS‚ Frederic J. 11616
A series of four Autograph Letters Signed‚ to Alexander Ireland‚ applauding his correspondent’s “indignation at the Royal Academy’s neglect of Mr. Mitchell’s splendid ‘Rossetti’‚” applying for a vacancy for a distressed girl‚ Annie Farrell‚ and discussing the sale of a volume of Illustrations‚ referring in particular to the illustration of Vanity Fair in ‘Illustrations to the Pilgrim’s Progress’‚ 11 pp. 7 x 4½ inches‚ a few minor stains‚ in good condition. 7 Lodge Place‚ London NW‚ 1879-1883 where dated. Frederic Shields (1833-1911)‚ painter and decorative artist‚ intimate of D.G.Rossetti. “I liked your indignation at the Royal Academy’s neglect of Mr Mitchell’s splendid ‘Rossetti’. It was too evident‚ on the private view day‚ that they had thought to darken his light when dead‚ but it burnt a hole in thier bushel‚ & they had to give way‚ and rearrange the envious cramping of pictures such as their walls are strangely unaccustomed to sustain. One of the chiefest blots in the collection was a miserable replica of the ‘Venus Verticordia’ and I deeply regret that Mr Mitchell did not yield to my entreaty to blast their stupidity by exhibiting the glorious original in his possession at the Burlington Club. Never did a great man’s work & memory meet so cruel a fate at the hands of friends & foes immediately after his departure as my dearest friend Rossetti’s. Conspicuous among these sinners‚ stands Mr Ruskin - in his recent vapourings at Oxford‚ speaking in one breath of Rossetti as his dear friend‚ and a great leader of modern English art‚ & then muddling up the facts of his life with grossly exaggerated statements‚ & bespattering his early works with criticisms which are merely effective lying - without a single reference to his later pursuit of beauty & triumphant claims to its attainment. Your own fire has heated me into this bubbling but I have been simmering on this subject some time.”
Price : £200.00
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A series of four Autograph Letters Signed‚ to Alexander Ireland‚ applauding his correspondent’s “indignation at the Royal Academy’s neglect of Mr. Mitchell’s splendid ‘Rossetti’‚” applying for a vacancy for a distressed girl‚ Annie Farrell‚ and discussing the sale of a volume of Illustrations‚ referring in particular to the illustration of Vanity Fair in ‘Illustrations to the Pilgrim’s Progress’‚ 11 pp. 7 x 4½ inches‚ a few minor stains‚ in good condition. 7 Lodge Place‚ London NW‚ 1879-1883 where dated. Frederic Shields (1833-1911)‚ painter and decorative artist‚ intimate of D.G.Rossetti. “I liked your indignation at the Royal Academy’s neglect of Mr Mitchell’s splendid ‘Rossetti’. It was too evident‚ on the private view day‚ that they had thought to darken his light when dead‚ but it burnt a hole in thier bushel‚ & they had to give way‚ and rearrange the envious cramping of pictures such as their walls are strangely unaccustomed to sustain. One of the chiefest blots in the collection was a miserable replica of the ‘Venus Verticordia’ and I deeply regret that Mr Mitchell did not yield to my entreaty to blast their stupidity by exhibiting the glorious original in his possession at the Burlington Club. Never did a great man’s work & memory meet so cruel a fate at the hands of friends & foes immediately after his departure as my dearest friend Rossetti’s. Conspicuous among these sinners‚ stands Mr Ruskin - in his recent vapourings at Oxford‚ speaking in one breath of Rossetti as his dear friend‚ and a great leader of modern English art‚ & then muddling up the facts of his life with grossly exaggerated statements‚ & bespattering his early works with criticisms which are merely effective lying - without a single reference to his later pursuit of beauty & triumphant claims to its attainment. Your own fire has heated me into this bubbling but I have been simmering on this subject some time.” Price : £200.00
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SKELTON‚ Joseph. 4171
Autograph Letter Signed‚ ordering supplies of different papers to be delivered to Oxford “all of the very best Whatman’s paper”. 1 page 9½ x 8 inches‚ mounted on an old album page (some adhesive marks showing through). Magdalen Bridge‚ Oxford‚ 26 February 1826. Joseph Skelton became an engraver of topographical and antiquarian subjects‚ including ‘Oxonia Antiqua Illustrata’ [1823]. He also engraved the heading to the Oxford Almanacs for the years 1815 to 1831. This order for paper comprises: one ream of Plate Atlas; two reams of Drawing ditto; one ream of Plate Elephant; one ream of drawing ditto; one ream of the very best demy tissue.
Price : £50.00
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Autograph Letter Signed‚ ordering supplies of different papers to be delivered to Oxford “all of the very best Whatman’s paper”. 1 page 9½ x 8 inches‚ mounted on an old album page (some adhesive marks showing through). Magdalen Bridge‚ Oxford‚ 26 February 1826. Joseph Skelton became an engraver of topographical and antiquarian subjects‚ including ‘Oxonia Antiqua Illustrata’ [1823]. He also engraved the heading to the Oxford Almanacs for the years 1815 to 1831. This order for paper comprises: one ream of Plate Atlas; two reams of Drawing ditto; one ream of Plate Elephant; one ream of drawing ditto; one ream of the very best demy tissue. Price : £50.00
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SMITH‚ Benjamin. 7559
Autograph Letter Signed ‘B.Smith’‚ to J.R.Harrison‚ asking for various plates on which he intends to work. 1 page 8 x 6½ inches‚ in good condition‚ remains of guard. 15 July 1814. “Have the goodness to send me Nos 4 of Pious family‚ Angels & Alls Well with No 3 of Two Gentmn.” Benjamin Smith (d.1833)‚ engraver. He worked mainly in stipple-engraving‚ producing portraits‚ illustrations‚ and allegorical and biblical subjects after prominent artists of the day. He lived and worked in Somers Town‚ London‚ first at 21 Judd Place‚ then at 65 Ossulston Street.
Price : £75.00
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Autograph Letter Signed ‘B.Smith’‚ to J.R.Harrison‚ asking for various plates on which he intends to work. 1 page 8 x 6½ inches‚ in good condition‚ remains of guard. 15 July 1814. “Have the goodness to send me Nos 4 of Pious family‚ Angels & Alls Well with No 3 of Two Gentmn.” Benjamin Smith (d.1833)‚ engraver. He worked mainly in stipple-engraving‚ producing portraits‚ illustrations‚ and allegorical and biblical subjects after prominent artists of the day. He lived and worked in Somers Town‚ London‚ first at 21 Judd Place‚ then at 65 Ossulston Street. Price : £75.00
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SOLOMON Abraham. 10491
Two Autograph Letters Signed to G.Christie responding to and offering invitations explaining “I have so much to do in beginning my Picture”. 3 pp. folds. 50 Upper Charlotte Street Fitzroy Square 28 May 1851 where dated. Uncommon. Abraham Solomon (1823-1862) painter brother of Simeon Solomon. ‘An Awkward Position’ an incident in the life of Oliver Goldsmith was Abraham Solomon’s contribution to the 1851 Royal Academy Exhibition.
Price : £75.00
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Two Autograph Letters Signed to G.Christie responding to and offering invitations explaining “I have so much to do in beginning my Picture”. 3 pp. folds. 50 Upper Charlotte Street Fitzroy Square 28 May 1851 where dated. Uncommon. Abraham Solomon (1823-1862) painter brother of Simeon Solomon. ‘An Awkward Position’ an incident in the life of Oliver Goldsmith was Abraham Solomon’s contribution to the 1851 Royal Academy Exhibition. Price : £75.00
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SOLOMON‚ Solomon J. 6696
Autograph Letter Signed‚ to Mrs.Lucas‚ thanking her for the excursion‚ “that I should have been accompanied by so charming a chaperone far exceeded my hopes”. 2 pp. 6 x 4 inches‚ second leaf mounted on part of an old album page‚ in good condition. 31 August 1903. Solomon Joseph Solomon (1860–1927)‚ painter. Solomon exhibited for the first time at the Royal Academy in 1881 and began to make a name for himself as a portraitist and as a painter of biblical‚ mythological‚ and genre subjects. In 1910 he published a book‚ The Practice of Oil Painting and Drawing. During the First World War Solomon helped the French with their work on camouflage and to set up a British camouflage section in Flanders. Two years later he set up a camouflage school in Kensington Gardens‚ London‚ working on concealment from the air of very large areas of terrain. His book Strategic Camouflage was published in 1920.
Price : £65.00
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Autograph Letter Signed‚ to Mrs.Lucas‚ thanking her for the excursion‚ “that I should have been accompanied by so charming a chaperone far exceeded my hopes”. 2 pp. 6 x 4 inches‚ second leaf mounted on part of an old album page‚ in good condition. 31 August 1903. Solomon Joseph Solomon (1860–1927)‚ painter. Solomon exhibited for the first time at the Royal Academy in 1881 and began to make a name for himself as a portraitist and as a painter of biblical‚ mythological‚ and genre subjects. In 1910 he published a book‚ The Practice of Oil Painting and Drawing. During the First World War Solomon helped the French with their work on camouflage and to set up a British camouflage section in Flanders. Two years later he set up a camouflage school in Kensington Gardens‚ London‚ working on concealment from the air of very large areas of terrain. His book Strategic Camouflage was published in 1920. Price : £65.00
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STEPHANOFF‚ James. 8447
Autograph Letter Signed‚ to Mr.Hogarth‚ suggesting the publication of a series of drawings relating to Bristol’s history. 2 pp. 7 x 4½ inches‚ in good condition‚ one small tear‚ remains of guard. Bristol‚ 13 August 1853. James Stephanoff (1788-1874)‚ painter in watercolours‚ executed some of the drawings for Pyne’s Royal Residences and Nayler’s Coronation of George IV. He was one of the founders of the Sketching Society.
Price : £65.00
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Autograph Letter Signed‚ to Mr.Hogarth‚ suggesting the publication of a series of drawings relating to Bristol’s history. 2 pp. 7 x 4½ inches‚ in good condition‚ one small tear‚ remains of guard. Bristol‚ 13 August 1853. James Stephanoff (1788-1874)‚ painter in watercolours‚ executed some of the drawings for Pyne’s Royal Residences and Nayler’s Coronation of George IV. He was one of the founders of the Sketching Society. Price : £65.00
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STONE‚ Marcus. 11613
Autograph Letter Signed‚ identifying the subject and owner of a picture by Daniel Maclise (’The Banquet Scene from Macbeth’) and “as to the likelihood of his being disposed to lend it to the Irish Exhibition I can say nothing.” 1 page 8 x 5 inches‚ in good condition‚ a few minor blemishes only. Cliftonville Hotel‚ Margate‚ 25 May 1888. Marcus Stone (1840 – 1921)‚ painter‚ son of Frank Stone‚ ARA‚ was trained by his father and began to exhibit at the Academy before he was eighteen; and a few years later he illustrated with much success books by Charles Dickens‚ Anthony Trollope‚ and other writers‚ friends of his family.
Price : £65.00
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Autograph Letter Signed‚ identifying the subject and owner of a picture by Daniel Maclise (’The Banquet Scene from Macbeth’) and “as to the likelihood of his being disposed to lend it to the Irish Exhibition I can say nothing.” 1 page 8 x 5 inches‚ in good condition‚ a few minor blemishes only. Cliftonville Hotel‚ Margate‚ 25 May 1888. Marcus Stone (1840 – 1921)‚ painter‚ son of Frank Stone‚ ARA‚ was trained by his father and began to exhibit at the Academy before he was eighteen; and a few years later he illustrated with much success books by Charles Dickens‚ Anthony Trollope‚ and other writers‚ friends of his family. Price : £65.00
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TAYLER‚ Frederick. 11581
Autograph Letter Signed‚ to Richard Redgrave‚ asking whether he has and could lend “a Lady’s Dress in the time of Charles the 2nd”‚ or even a sleeve. 2 pp. 7 x 4½ inches‚ fine. undated. “I have been to all the Nathan & Symons’s Masquerade Shops to no purpose.” Frederick Tayler (1802-1889)‚ artist‚ studied under Vernet‚ and for a time shared a studio with Bonington. He painted mainly in watercolour. Richard Redgrave (1804-1888) was also a member of The Etching Club.
Price : £30.00
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Autograph Letter Signed‚ to Richard Redgrave‚ asking whether he has and could lend “a Lady’s Dress in the time of Charles the 2nd”‚ or even a sleeve. 2 pp. 7 x 4½ inches‚ fine. undated. “I have been to all the Nathan & Symons’s Masquerade Shops to no purpose.” Frederick Tayler (1802-1889)‚ artist‚ studied under Vernet‚ and for a time shared a studio with Bonington. He painted mainly in watercolour. Richard Redgrave (1804-1888) was also a member of The Etching Club. Price : £30.00
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TENNIEL‚ John. 11431
Autograph Letter Signed ‘John Tenniel’‚ to W.W.Caddell‚ explaining that ‘I have not the pleasure of “Mark Twain’s” acquaintance‚ & I do not know his address.” Together with an ink drawing of two lion heads‚ on the back of a London menu (23 July 1873)‚ said to be by Tenniel (as attested by an early bookseller’s catalogue entry). 1 page 7 x 4½ inches‚ fine. From the Enys Collection. 10 Portsdown Road‚ Maida Hill‚ 5 January 1888. John Tenniel (1820-1914)‚ caricaturist‚ illustrated Alice in Wonderland and Through the Looking-glass.
Price : £275.00
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Autograph Letter Signed ‘John Tenniel’‚ to W.W.Caddell‚ explaining that ‘I have not the pleasure of “Mark Twain’s” acquaintance‚ & I do not know his address.” Together with an ink drawing of two lion heads‚ on the back of a London menu (23 July 1873)‚ said to be by Tenniel (as attested by an early bookseller’s catalogue entry). 1 page 7 x 4½ inches‚ fine. From the Enys Collection. 10 Portsdown Road‚ Maida Hill‚ 5 January 1888. John Tenniel (1820-1914)‚ caricaturist‚ illustrated Alice in Wonderland and Through the Looking-glass. Price : £275.00
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TENNIEL‚ John. 11582
Autograph Letter Signed ‘J.Tenniel’‚ to H.Harral‚ about the drawing he has proposed‚ explaining he is very busy‚ yet asking him to “send me the subject and the wood and I will try what I can do.” 1½ pages‚ 7 x 4½ inches‚ Tenniel’s monogram pasted to upper margin by a collector‚ black borders‚ remains of guard‚ in good condition. 10 Portsdown Road‚ Maida Hill‚ 7 April 1864. John Tenniel (1820-1914)‚ caricaturist‚ illustrated Alice in Wonderland and Through the Looking-glass.
Price : £85.00
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Autograph Letter Signed ‘J.Tenniel’‚ to H.Harral‚ about the drawing he has proposed‚ explaining he is very busy‚ yet asking him to “send me the subject and the wood and I will try what I can do.” 1½ pages‚ 7 x 4½ inches‚ Tenniel’s monogram pasted to upper margin by a collector‚ black borders‚ remains of guard‚ in good condition. 10 Portsdown Road‚ Maida Hill‚ 7 April 1864. John Tenniel (1820-1914)‚ caricaturist‚ illustrated Alice in Wonderland and Through the Looking-glass. Price : £85.00
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TENNIEL‚ John. 11596
Autograph Letter Signed ‘John Tenniel’‚ to ‘My dear Wirgman’‚ looking forward to seeing is friend’s horse‚ and suggesting a time for the friend to ride over “or send the animal for me to look at”. 1 page 7 x 4½ inches‚ very light staining along upper and lower edges‚ otherwise fine‚ with integral blank leaf. 10 Portsdown Road‚ Maida Hill‚ 6 July 1889. John Tenniel (1820-1914)‚ caricaturist‚ illustrated Alice in Wonderland and Through the Looking-glass. His correspondent is possibly the painter‚ Theodore Blake Wirgman.
Price : £85.00
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Autograph Letter Signed ‘John Tenniel’‚ to ‘My dear Wirgman’‚ looking forward to seeing is friend’s horse‚ and suggesting a time for the friend to ride over “or send the animal for me to look at”. 1 page 7 x 4½ inches‚ very light staining along upper and lower edges‚ otherwise fine‚ with integral blank leaf. 10 Portsdown Road‚ Maida Hill‚ 6 July 1889. John Tenniel (1820-1914)‚ caricaturist‚ illustrated Alice in Wonderland and Through the Looking-glass. His correspondent is possibly the painter‚ Theodore Blake Wirgman. Price : £85.00
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THOMAS‚ William Luson. 6594
Autograph Letter Signed‚ to the Hon.S.Ponsonby‚ sending “a Drawing by Brewer sketched for the Thanksgivng Number”. 1 page 8 x 5 inches‚ in good condition. The Graphic‚ 190 Strand‚ 15 April 1872. William Luson Thomas (1830–1900)‚ wood-engraver and newspaper proprietor‚ founded The Graphic (1869)‚ which became known for the excellence of its wood-engravings. “I think you will agree with me the sketch gives well the grand effect of the Interior of St.Pauls.”
Price : £65.00
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Autograph Letter Signed‚ to the Hon.S.Ponsonby‚ sending “a Drawing by Brewer sketched for the Thanksgivng Number”. 1 page 8 x 5 inches‚ in good condition. The Graphic‚ 190 Strand‚ 15 April 1872. William Luson Thomas (1830–1900)‚ wood-engraver and newspaper proprietor‚ founded The Graphic (1869)‚ which became known for the excellence of its wood-engravings. “I think you will agree with me the sketch gives well the grand effect of the Interior of St.Pauls.” Price : £65.00
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TOPHAM‚ Francis William. 6933
Autograph Letter Signed‚ to Charles Waithman‚ written on the verso of a Venetian invoice for glass‚ discussing its shipment to England‚ Topham’s own building works‚ and other matters. 1 page 9 x 6 inches‚ edges worn. 86 Adelaide Road‚ 7 September 1870. Francis William Topham (1808–1877)‚ watercolour painter‚ traveller in Spain‚ and illustrator of Dickens. Dickens recruited Topham to his amateur theatrical company‚ the Guild of Literature and Art‚ and the painter frequently performed with Dickens‚ Wilkie Collins‚ and the artists Clarkson Stanfield and John Tenniel.
Price : £65.00
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Autograph Letter Signed‚ to Charles Waithman‚ written on the verso of a Venetian invoice for glass‚ discussing its shipment to England‚ Topham’s own building works‚ and other matters. 1 page 9 x 6 inches‚ edges worn. 86 Adelaide Road‚ 7 September 1870. Francis William Topham (1808–1877)‚ watercolour painter‚ traveller in Spain‚ and illustrator of Dickens. Dickens recruited Topham to his amateur theatrical company‚ the Guild of Literature and Art‚ and the painter frequently performed with Dickens‚ Wilkie Collins‚ and the artists Clarkson Stanfield and John Tenniel. Price : £65.00
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TURNER‚ Charles. 9871
Autograph Letter Signed ‘C.Turner’‚ to his grandson Richard Lavery‚ thanking him for “the Paper of the Steam Boats”‚ and discussing a proposed visit by Richard’s brother Charles. 3 pp. 5 x 3½ inches‚ folded‚ in good condition. Woodstock‚ 25 August 1852. Charles Turner (1774-1857)‚ engraver. He engraved and published the first twenty plates of J.M.W.Turner’s Liber Studiorum. He became a distinguished master in mezzotint‚ producing more than six hundred plates of which about two-thirds are portraits.
Price : £35.00
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Autograph Letter Signed ‘C.Turner’‚ to his grandson Richard Lavery‚ thanking him for “the Paper of the Steam Boats”‚ and discussing a proposed visit by Richard’s brother Charles. 3 pp. 5 x 3½ inches‚ folded‚ in good condition. Woodstock‚ 25 August 1852. Charles Turner (1774-1857)‚ engraver. He engraved and published the first twenty plates of J.M.W.Turner’s Liber Studiorum. He became a distinguished master in mezzotint‚ producing more than six hundred plates of which about two-thirds are portraits. Price : £35.00
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WALKER‚ Frederick. 9979
Autograph Letter Signed ‘Fredk. Walker’‚ addressed ‘Dear Sir’‚ asking his correspondent to “allow one of the porters or a messenger to bring the picture of ‘Autumn’ here any time tomorrow. As I shall be away Mrs or Miss walker will receive the picture.” 1 page 7 x 4½ inches‚ neatly laid down on part of an old album page. 3 St. Petersburgh Place‚ Bayswater‚ 1 August 1865. Frederick Walker (1840-1875)‚ painter and illustrator. His output as an illustrator during the first half of the 1860s was considerable‚ contributing as he did to periodicals such as Good Words‚ Once a Week‚ and the Cornhill Magazine.
Price : £100.00
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Autograph Letter Signed ‘Fredk. Walker’‚ addressed ‘Dear Sir’‚ asking his correspondent to “allow one of the porters or a messenger to bring the picture of ‘Autumn’ here any time tomorrow. As I shall be away Mrs or Miss walker will receive the picture.” 1 page 7 x 4½ inches‚ neatly laid down on part of an old album page. 3 St. Petersburgh Place‚ Bayswater‚ 1 August 1865. Frederick Walker (1840-1875)‚ painter and illustrator. His output as an illustrator during the first half of the 1860s was considerable‚ contributing as he did to periodicals such as Good Words‚ Once a Week‚ and the Cornhill Magazine. Price : £100.00
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WARD‚ Edward Matthew. 11105
Autograph Letter Signed‚ to G.Godwin‚ thanking him for the “very kind & flattering notice of my picture at the Winter Exhibition”‚ and hoping to make arrangements for his visit. 2 pp. 6 x 4 inches‚ second page laid down‚ in good condition. Kent Villa‚ Lansdowne Road‚ Kensington Park‚ 5 November 1864. Edward Matthew Ward (1816-1879)‚ Victorian narrative painter best known for his murals in the Palace of Westminster depicting episodes in British history from the English Civil War to the Glorious Revolution.
Price : £65.00
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Autograph Letter Signed‚ to G.Godwin‚ thanking him for the “very kind & flattering notice of my picture at the Winter Exhibition”‚ and hoping to make arrangements for his visit. 2 pp. 6 x 4 inches‚ second page laid down‚ in good condition. Kent Villa‚ Lansdowne Road‚ Kensington Park‚ 5 November 1864. Edward Matthew Ward (1816-1879)‚ Victorian narrative painter best known for his murals in the Palace of Westminster depicting episodes in British history from the English Civil War to the Glorious Revolution. Price : £65.00
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WATTS‚ George Frederick. 11575
Autograph Letter Signed ‘G.F.Watts’‚ addressed ‘Dear Sir’‚ sending a cheque‚ but saying that he is overwhelmed by charitable appeals‚ discussing his income and “my fragile wealth”. 2 pp. 4 x 3½ inches‚ with a few words and signature on the second leaf‚ small blank piece torn away from right hand margin. Little Holland House‚ 1 August 1893. G.F.Watts (1817-1904)‚ painter‚ known for his portraits‚ subject pieces‚ and the statue of Physical Energy in Kensington Gardens. “After working as few have worked for over 61 years I find myself without a sufficient income for wants which are necessities for my present days & future prospects of work.”
Price : £75.00
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Autograph Letter Signed ‘G.F.Watts’‚ addressed ‘Dear Sir’‚ sending a cheque‚ but saying that he is overwhelmed by charitable appeals‚ discussing his income and “my fragile wealth”. 2 pp. 4 x 3½ inches‚ with a few words and signature on the second leaf‚ small blank piece torn away from right hand margin. Little Holland House‚ 1 August 1893. G.F.Watts (1817-1904)‚ painter‚ known for his portraits‚ subject pieces‚ and the statue of Physical Energy in Kensington Gardens. “After working as few have worked for over 61 years I find myself without a sufficient income for wants which are necessities for my present days & future prospects of work.” Price : £75.00
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WATTS‚ George Frederick. 11577
Autograph Letter Signed‚ to Miss Bennett‚ agreeing to show her and her brother his studio. 2 pp.‚ 7 x 4½ inches‚ one paperclip mark‚ otherwise good. Little Holland House‚ Kensington‚ 26 March 1876. G.F.Watts (1817-1904)‚ painter‚ known for his portraits‚ subject pieces‚ and the statue of Physical Energy in Kensington Gardens. “I regretted not having introduced myself not because I expect as a matter of course what I do will be admired or even sympathised with but because I think an old student may possibly be able to aid a young one. Art & Music to which I know you are devoted should teach us to find pleasure in the pleasure of others.”
Price : £100.00
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Autograph Letter Signed‚ to Miss Bennett‚ agreeing to show her and her brother his studio. 2 pp.‚ 7 x 4½ inches‚ one paperclip mark‚ otherwise good. Little Holland House‚ Kensington‚ 26 March 1876. G.F.Watts (1817-1904)‚ painter‚ known for his portraits‚ subject pieces‚ and the statue of Physical Energy in Kensington Gardens. “I regretted not having introduced myself not because I expect as a matter of course what I do will be admired or even sympathised with but because I think an old student may possibly be able to aid a young one. Art & Music to which I know you are devoted should teach us to find pleasure in the pleasure of others.” Price : £100.00
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WILKIE‚ Sir David. 5327
Autograph Letter Signed ‘David Wilkie’‚ addressed ‘My dear Madam’‚ attributing his failure to call “to my unusual occupations this season at the R Academy”‚ and accepting her invitation. 1½ pages‚ 7 x 4½ inches‚ in good condition‚ remains of guard. Kensington‚ 11 May 1838. Sir David Wilkie (1785-1841)‚ the Scottish painter.
Price : £50.00
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Autograph Letter Signed ‘David Wilkie’‚ addressed ‘My dear Madam’‚ attributing his failure to call “to my unusual occupations this season at the R Academy”‚ and accepting her invitation. 1½ pages‚ 7 x 4½ inches‚ in good condition‚ remains of guard. Kensington‚ 11 May 1838. Sir David Wilkie (1785-1841)‚ the Scottish painter. Price : £50.00
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WOODS‚ Henry. 11578
Autograph Correspondence Card signed‚ to Lady Layard‚ asking her and Sir Henry to visit his studio‚ where he has just finished “a small picture of Portia”‚ and providing the studio address. 3½ x 4½ inches‚ fine. Calle del Dose‚ 2727‚ San Maurizio‚ Venice‚ 26 October 1887. Henry Woods (1846-1921)‚ artist. Woods first went to Venice in 1876 on the recommendation of his lifelong friend‚ Luke Fildes‚ and thenceforth most of his exhibited paintings are of a Venetian scenes. Portia was shown at the Royal Academy in 1888 in an exhibition of twenty-one paintings sponsored by the newspaper Graphic. The series of pictures was entitled Shakespeare's Heroines.
Price : £65.00
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Autograph Correspondence Card signed‚ to Lady Layard‚ asking her and Sir Henry to visit his studio‚ where he has just finished “a small picture of Portia”‚ and providing the studio address. 3½ x 4½ inches‚ fine. Calle del Dose‚ 2727‚ San Maurizio‚ Venice‚ 26 October 1887. Henry Woods (1846-1921)‚ artist. Woods first went to Venice in 1876 on the recommendation of his lifelong friend‚ Luke Fildes‚ and thenceforth most of his exhibited paintings are of a Venetian scenes. Portia was shown at the Royal Academy in 1888 in an exhibition of twenty-one paintings sponsored by the newspaper Graphic. The series of pictures was entitled Shakespeare's Heroines.
Price : £65.00
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